A Study On 2D Animation Design Of New Year Woodcut In Fengxiang County

The rapid change of new media technology has led to a change in the way of life of the public,including the access to information,from the traditional paper media such as newspapers and magazines to the new media featuring interaction and unlimited compatibility,most commonly digital media.New and old media" is a relative concept,the new media is new because it can break the barrier between tradition and modernity,dissolve the limitation of space,link people with people,groups with groups and even countries with countries,at this time,the development of new media technology provides a new way of communication for Fengxiang woodblock prints,which used to use paper as the main communication channel.As one of the First National Intangible Cultural Heritage,the woodcut new year paintings in Fengxiang County inherited the earliest woodcut techniques in Central Plain,how to make use of new media to "modernize" them is an important subject to protect and develop this traditional art.The subject is based on the historical inheritance of new year woodcut paintings in Fengxiang County,Shaanxi province.From various angles,such as the form language of New Year Pictures,the adaptation of scripts,the narrative mode,the design of the visual style of characters and colors,etc.,this paper focuses on the technical details of the integration of woodblock prints and animations,and tries to find out how the new media technology can effectively inherit and develop the intangible cultural heritage in the new era,making traditional Fengxiang County woodcut new year paintings "younger" so as to better integrate into modern public life.This project focuses on five aspects of research and design practice.The first part is an in-depth analysis of the background,significance and current situation of the research,as well as the method and innovation point of the topic;the second part is an information integration and research on the origin,artistic language and cultural connotation of Fengxiang woodblock prints;the third part is an analysis of the method and principles of the adaptation of Fengxiang woodblock prints from the perspective of animation;the fourth part is the practical part of the article,from the script,characters The fourth part is the practical part of the article,in which the combination of Fengxiang New Year paintings and animation is realized in terms of script,characters,color and picture style;the last part is the analysis of the development trend and value of the animation adaptation of traditional New Year paintings,and the discussion of the possibility of animation as a new media for the wide dissemination of traditional intangible cultural heritage.