A Study Of Song Yuren’s Three Tang Poems

"San Tang Shi Pin" is a poetic work on Tang poetry criticism produced in the late Qing Dynasty.The whole book embodies Song Yuren’s poetic criticism and aesthetic thought.This paper takes "San Tang Shi Pin" as the research object,intends to analyze the overall situation of "San Tang Shi Pin" by examining Song Yuren’s life and works,and compare it with some relevant critical works to explore Song Yuren’s poetic criticism and aesthetic thought.The first chapter makes a textual research on Song Yuren’s life,friends and works from the perspective of knowing people and discussing the world,in order to have a comprehensive understanding of Song Yuren,make his character image Fuller,and lay a foundation for the study of his poetics.First of all,it makes a textual research on his life to understand his thought of worrying before happiness and loving the country and the people;Then it makes a textual research on his friends,combs and integrates relevant materials,and understands the influence of his friends on his poetic thought and life.Finally,it makes a textual research on his main literary works and version information.The second chapter studies the basic situation of "San Tang Shi Pin".This chapter is divided into three parts.Firstly,it makes a textual research on the completion time of the book,and determines the completion time of the book from 1901 to 1913 from the collation of some materials;Then it explores its compilation motivation from the aspects of poetry aesthetics and social environment,and finally makes an in-depth study on the style from its arrangement,items and forms,in order to make an all-round study on the overall overview of the three Tang poetry.The third chapter mainly compares the "San Tang Shi Pin" with its related poetry criticism works.This chapter is mainly divided into two sections.The first section mainly examines the acceptance of Zhongrong’s poetry from the perspectives of text,the combination of characters and critical methods;The second section mainly compares the "San Tang Shi Pin" with the relevant Tang poetry anthologies and poetic writings,so as to study the "San Tang Shi Pin" from a more comprehensive perspective.The fourth chapter looks at Song Yuren’s poetry criticism and aesthetics from the three Tang poetry.This chapter is divided into two parts,mainly from the perspective of artistic aesthetics and social perspective to analyze the three Tang poetry,so as to study Song Yuren’s poetry criticism and aesthetics.Firstly,based on the work itself,at the level of artistic aesthetics,by analyzing the evaluation standards of his poetry in the Han,Wei and Six Dynasties,Song Yuren gives a high evaluation of the implicit poetic style.The second part studies the value orientation of his poetry criticism from the perspective of social politics,and has a more in-depth understanding of Song Yuren’s poetic thought by summarizing Song Yuren’s appreciation of the wind of "elegance",the attention to the image of "vanilla" and the affirmation of the poetry of "allegory".The third part starts from Song Yuren’s poetry works,compares and analyzes the poetic thought embodied in Song Yuren’s poetry works with the poetic thought of San Tang poetry,so as to make an in-depth analysis of his poetry criticism and aesthetics.