| In this paper,Wang Meng’s "Ge Zhichuan Migration Map" as the entry point,with "Louvre" as the research object,from the humanistic thought and natural landscape two aspects of comprehensive exploration of the paradise of the Louvre.Since ancient times,the "fairy mountain" culture of Luofu Mountain has attracted many literati and calligrapher.The creation of landscape painting around Luofu Mountain has already formed distinctive schools and styles.They integrate their own spiritual world into the real landscape painting,no longer objectively reproduce the scenery,but have a deep understanding of nature after the second understanding of nature,with the Louvre landscape painting as the carrier of a spiritual expression.The "Land of the Immortal Mountain" of Luofu Mountain presented in "Ge Zhichuan Emigre Picture" is in line with what the author wants to study.On the basis of drawing lessons from traditional expression techniques,the author has made some bold attempts and explorations in composition form and ink language,trying to organically integrate subjective feelings with objective scenes of Luofu Mountain in the creation. |