Drawing On Mucha's Decorative Painting Language To Create Oil Painting Figure

Based on the language characteristics of Muxia’s decorative paintings studied by the author during the postgraduate period,this paper tries to combine Muxia’s decorative artistic language with its own advantages of oil painting under the inheritance of traditional oil painting’s strong plasticity and easy to show the shape and texture of things.While paying attention to the aesthetic sense of form,it adopts realistic creative techniques in oil painting to shape objects.It aims to explore the rhythm of beauty,create for beauty and find the inner pleasure of art.This paper is divided into three parts.The first part gives an overview of Mucha’s life and its connection with the Art Nouveau movement.The second part analyzes some of the art works for reference,explores the characteristics of Muxia decorative language and the internal reasons for the formation of the rhythm and rhythm of the picture from the perspectives of layout composition and line shape,and studies how to use decorative language to create the overall effect of the picture from the starting point of color collocation and lighting atmosphere.Based on the analysis and interpretation of the second part,the third part applies the formal language of Muxia into practice,striving to create aesthetic picture effects.At the same time,with the help of modern drawing tools,it completes the collision and fusion of art nouveau painting forms and contemporary digital media.