A Study On The Characteristics Of Shengzhou Blowing Music

Shengzhou blowing is an important part of the gongs and drums of East Zhejiang Province.East Village-Huangze Bainikan Folk Music Class and West Village-Changle farmers blowing band are the two main existing music classes.Shengzhou blowing is also represented by these two main blowing groups.As early as the middle Ming Dynasty,the gongs and drums of East Zhejiang had begun to prevail.Frequent temple fair activities provided opportunities for the generation and development of Shengzhou blowing and playing,as well as a platform for the performance of blowing and playing bands around the country.Shengzhou is located in the central location of eastern Zhejiang,superior location advantage also provides convenient conditions for the inheritance and development of Shengzhou blowing.In the process of long-term inheritance and improvement,it is good at absorbing local opera and national opera music to enrich its own blowing and playing music,but also nurturing opera accompaniment music.Since the topic was selected,the author has made many field trips,experienced the beating scene in Shengzhou,and made field trips,study,analysis and research on local class clubs,musicians and music books.This paper takes the two representative music classes of Shengzhou Blowing and Beating as the research objects,and tries to discuss the interaction between this music and opera from the historical context and music level.The article consists of the introduction and three chapters.The first,second and third chapters are the main part of the article.The first chapter is around Shengzhou blowing percussion music overall discussion,including living environment,performance methods,participation in folk matters,performance repertoire and so on to do background writing,sort out the differentiation and composition of east and west township music classes.The second chapter is a comprehensive morphological analysis of Shengzhou blowing and beating music,including the analysis and grasp of its music ontology and the reflection of the interaction between music and opera caused by field investigation.In the analysis of the two music classes in the music ontology,the common vocabulary and personality characteristics,at the same time,the relationship between the two music classes and operas is compared and analyzed,and their different absorption and development modes.In order to master the "same" and "different" of the eastern and western rural music classes in the two analytical paths of "music-music relationship" and "play-music relationship".Chapter three explores the changes of China’s new countryside from the perspective of folklore and the transformation of music needs from improvisation to formula,self-amusement to function.And hope to explore the change of Shengzhou Blow-beating in this dynamic correlation and academic research update.This paper will focus on Shengzhou Blow and beat music ontology form,will focus on several core problems,one is the same region in the two cognate music groups presented various differences,as well as the east and west of the two music groups composed of Shengzhou blow and beat music ontology features;Second,what kind of catalytic effect the opera had on the growth and development of Shengzhou Blowing;The third is the great difference between the literature record and the field investigation and the cause of formation;Fourthly,the two music classes present different development paths and their aesthetic orientation and value choice under the background of folk vitality.It is expected that through the analysis and study of Shengzhou blowing history,living form,the whole and the combination of photography,we can further enrich the musical characteristics and cultural value of East Zhejiang gongs and drums,fill some theoretical gaps,and realize the significance of the study.