Research On The Form Of Decorative Language In The Creation Of Contemporary Freehand Flower And Bird Painting

Freehand flower-and-bird painting has formed a unique art form because of the influence of traditional Chinese philosophy.Due to the penetration of traditional philosophical thoughts,the paintings of freehand flower-and-bird paintings are decorated by simple use of color 、 scatter perspective composition 、 simple and exaggerated modeling forms、abstract and generalized ink expression and other ways.With the development of The Times,due to the introduction of Western art,new artistic effects have entered the public’s vision,so that contemporary people’s aesthetic has undergone a great change,so the traditional freehand flower and bird paintings can not meet the aesthetic needs of the public.Contemporary freehand flower and bird painters,on the basis of inheriting the tradition and conforming to the development of The Times,have explored new forms of expression of contemporary freehand flower and bird painting with a critical and inherited attitude.Therefore,as the basic expression language in the picture,brush and ink,color,modeling and composition have presented unique decorative effects.Such as Qi Baishi、Zhang Guiming、Zhou Jingxin、Cui Zifan、Shang Tao、Xiao Shunzhi、Gou Yicong and others made bold attempts on different aspects of freehand flower and bird painting,and then formed a highly personalized decorative style.Through the causes of decorative language and the specific expression of decorative language in the picture,this paper carries out an in-depth analysis and elaboration on the decorative language of freehand flower-and-bird painting,and then makes myself clear the practical significance of applying decorative language in the creation of contemporary freehand flower-and-bird painting.At the same time,during the three-year postgraduate study,I studied and explored freehand flower-and-bird painting,and applied decorative language that meets my aesthetic and picture needs into my own creation.