Study On The Aesthetic Value Of Chinese And Japanese Zheng Music

Aesthetic value is the important meaning of the object to the subject produced and formed by people in objective historical activities.Beauty is omnipresent,and its aesthetic value permeates people’s lives.Chinese people pursue the unity of spirit and aesthetics,implicitness,grace,harmony and unity,with "neutralization" as the aesthetic taste.The aesthetic concepts of Confucius and Lao-Tzu are both centered on "harmony".The pursuit of art is not simply to depict the real world,but to "take heart as beauty".Due to the constraints of the natural and social environment in real life,Japan advocates primitive and natural beauty,which is the cornerstone of Japanese "beauty".They briefly focus on and unearth the instantaneous beauty of things,specifically manifested in the aesthetic concepts of emptiness,material sadness,and seclusion.The difference between aesthetics and art is that aesthetics is the most basic and important prerequisite for the realization of art.As a kind of national instrument,Zheng has a long history.Japanese Zheng originated in the Sui and Tang dynasties,and is roughly the same as that of Japan’s Nara period.It gradually developed under the overall absorption of Chinese politics,economy,culture,and the overall environment."Chinese and Japanese" Zheng"originated from the same lineage,but each developed its own unique ethnic music culture,reflecting their respective aesthetic connotations.The focus of this study is to observe the aesthetic orientation of Zheng music in both countries through the analysis of the creative style and cultural implications embodied in Chinese and Japanese Zheng music,and observe the development and inheritance of Zheng music in both countries.This will enable us to more clearly understand the development path of Chinese Zheng music in a diversified perspective,comply with international artistic trends,grasp its own characteristics and characteristics,promote national traditions,and enhance cultural self-confidence and confidence.It provides certain reference significance for the development of Chinese zither art.