| Based on shandong XianSuo cavity of the opera as the research object,reveal the local spoke of spectrum pattern formation mechanism and its style.The division of Xiansuoqiang operas is still controversial nationwide,but it has been recognized by the academic circle that Liuzi opera,Daxianzi Opera and Luozi opera constitute the music situation of Xiansuoqiang opera in Shandong.For a long time,the research on the traceability of Shandong’s "string cavity"music only dates back to the late Ming and early Qing dynasties.This paper traces the trace of Xiansuoqiang from the Northern Qu style.XianSuo cavity through the development of sanqu,cantata,opera three forms completed spoke mode into the development of its narrative change shift occurred.Xiansuoqiang operas performed in Shandong dialect are distributed in the southeast,west and southwest of Shandong in the Canal basin,and the differences in culture,geography and dialect of their distribution regions show a diversified ecology,which is reflected in the diversity of musical style color,inheritance and Qupai package content.Based on this,the author tries to prove the generation trend of the original musical style of Shandong Xiansuoqiang.In the diversity of inheritance,different identities played by "people"play a huge role.Performers,organizers and listeners take care of each other.Multiple identity patterns provide space for the development of Shengsuoqiang in Shandong region.The three kinds of operas retain the common characteristics of the chord cavity which has solidified into the unique common characteristics of the chord cavity.This paper explores the local music style of Shandong Xiansuo Opera from the perspectives of the relationship between the ci,the melody of the singing,the accompaniment music and the analysis of the representative repertoire,and finds that each opera has absorbed and borrowed different musical elements in the development process,forming a cavity ecology with the coexistence of commonness and individuality. |
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