Gong Xian’s Study Of "Landscape And Landscape Triple Screen" And The Enlightenment Of My Creation

Based on "Landscape and Landscape Triple Screen",the article studies Gong Xian’s landscape art,and understands and draws lessons for reference in his own study and creation practice.The author takes Gong Xian’s representative work "Landscape and Landscape Triple Screen" as the main research case,which is divided into three parts to elaborate:The first part is to sort out the personal situation of the artist Gong Xian,which includes a brief description of his life and then the analysis of Gong Xian’s landscape painting style and its causes,as the premise of discussing the "Three Landscape Screen".Gong Xian’s landscape painting can be roughly divided into three stages according to the style.The causes of its style are mainly analyzed from the social background of the late Ming and early Qing dynasties and the origin of Gong Xian’s landscape painting.The second part is the analysis of Gong Xian’s "Landscape and Landscape Triple Screen" from the perspectives of brush and ink techniques,image management and painting environment generation.First,combined with Gong Xian’s painting theory,he analyzed and summarized the corresponding brush and ink techniques presented in his pictures.Then it discusses the specific images in the works and the management relationship between the objects,and finally analyzes the formation of Gong Xian’s landscape based on the artistic characteristics.The third part is to combine with one’s own creation,internalize the enlightenment obtained from the previous research into the nutrients more suitable for my own creation,and analyze the influence on the thoughts and practice of individual creation in specific works,so as to improve the theoretical and practical level of landscape painting creation.