A Study On The Calligraphy Style Of Wang Jin In Tang Dynasty

Wang Jin,as one of the important calligraphers in the Tang Dynasty.It plays an important role in promoting the development of the "running script into the stele".Because his works handed down from generation to generation are few,he is rarely mentioned.So there is a lot of space for the study of Wang Jin’s calligraphy style.This paper mainly takes Wang Jin’s regular script "Huan Chen Fan epitaph" and running script "Wang Zhong si tablet" "Li Baochen’s residual tablet" as the subject of research.Combined with the historical and cultural background of the Tang Dynasty running script into the stele,and the aesthetic trend of The Times.Thoroughly study Wang Jin’s calligraphy art style.There are four chapters in this article.The first chapter introduces Wang Jin’s artistic life.Through the literature research method,collect the relevant data of Wang Jin.A more comprehensive display of Wang Jin’s life and family background.The second chapter is Wang Jin’s calligraphy style analysis.Firstly,through the literature research method and the field investigation method.Collect and comb the epitaph of "Huan Chen Fan","Wang Zhongshi tablet" and "Li Baochen residual tablet" handed down by Wang Jin.It can be found that Wang Jin is mainly written in regular script and running script.The second part,through the image research method,field research method,his early regular script "Huan Chenfan epitaph" and his late running script "Wang Zhongsi tablet" "Li Baochen’s residual tablet".The style analysis is conducted from the pen,composition and composition respectively.Wang Jin vigorously pursued the style of the "Wang Xizhi and Wang Xianzhi" in the pen and structure.Its regular script presents the beauty of the xiaosanpiaoyi and kengqiangqiuwan.Running script is mainly positive and peaceful,rich and graceful.Secondly,by a comparative analysis,Compared Wang Jin’s epitaph of Huan Chen Fan with that of "Yuan Huai".Comparing Wang Jin "Wang Zhongsi tablet" to Li Yong "Yuelu Temple monument".Look for differences.A comprehensive glimpse into his calligraphy style.It can be found that Wang Jin’s calligraphy style is the integration of the "Wang Xizhi and Wang Xianzhi" calligraphy and Wei Bei,combined with the legal atmosphere of The Times,forming its own unique appearance.The third chapter analyzes the causes of Wang Jin’s calligraphy style.First,combine the origin of Wang Jin’s calligraphy style with the historical and cultural background of tang Dynasty running script into the tablet.Wang Jin’s writing style is influenced by the social atmosphere.Its inscriptions handed down appear in running script.And Wang Jin’s time background is in the middle of the Tang Dynasty.Calligraphy style of The Times is mainly magnificent and vigorous.It has deeply influenced Wang Jin’s calligraphy art creation.Second,through the analysis of his work.You can get Wang Jin mainly calligraphy master of ’ Wang Xizhi and Wang Xianzhi’’,in the pen and structure to mainly study and inherit ’ Wang Xizhi and Wang Xianzhi’’calligraphy.The fourth chapter is the enlightenment of Wang Jin’s calligraphy to the contemporary calligraphy creation and practice.Through copying and creative practice.From this,we can deeply understand the high implication of Wang Jin’s calligraphy and see its influence on the development of running tablet inscriptions in later generations.Wang Jin’s calligraphy style has changed from the original regular script to the running script.Style from simple to rich changes.From the square and vigorous to the beauty of the book wind change.It reflects the inheritance of calligraphy style in different stages of the same period and change characteristics.It also reflects the change of the aesthetic trend of The Times.