Research On The "subjective Consciousness" Of Painting Texture Expressio

The thesis focuses on the "subjective consciousness" of texture expression,and discusses the texture characteristics of paintings presented in the graduation creation "Law and Meaning" series.It attempts to explore the internal relationship between the texture reflected behind and the formation of "subjective consciousness".In the specific discussion,the thesis is divided into three parts.The first part mainly outlines the definition of texture in painting in the West and the texture in early human "painting".Based on this,it introduces the relevant practices of texture in early human painting,and starts with the study of the texture of painting works,starting with the formal element of "texture",which constitutes a picture,gradually leading to the difference between "reproducibility" and "expressiveness" of texture.The second part,starting with the emergence and application of texture in Rembrandt’s paintings in his later years,explores the artist’s "subjective consciousness" embodied behind,as well as the study of texture in the paintings of artists such as Lopez,leading to the relationship between texture and the consciousness embodied behind the artist’s creation.The third part introduces a series of thoughts on topic selection,texture production,graduation creation,etc.in my artistic creation.From the perspective of painting texture,it reflects the continuous strengthening of human "subject consciousness" and the important role of painting texture in expressing human emotions.