Research On The Creation Of Localized Rap Music Integrating Rap Music And Dialec

Hip-hop music originated as a street activity among black and Hispanic people at the bottom of New York City and had become popular all over the world.The types of hip-hop were mostly found in retro classic style,jazz rap style,trap rap style,hardcore rap style,lyrical rap style,melodic rap style,fuzzy rap style,and emotional rap style.In the past 20 years,rap music in China’s Sichuan-Chongqing region had gradually become popular,and many hip-hop musicians in the Sichuan-Chongqing area,the types of rhythms used in the creation and several vocal cavities integrated with each other,can reflect the strong regional culture of works and singers,and these phenomena have promoted the development of local hip-hop music.This paper took the local hip-hop music creation in Chengdu as the research object,obtains authentic and reliable first-hand data information through the literature method and questionnaire interview method,provided a basis for analyzing the development of hip-hop music culture and the improvement of creative performance in Chengdu,and expounded the humanistic environment of hip-hop music in Chengdu and the contribution and influence of original musical works.At the same time,it was found that the creative mode of hip-hop music in Chengdu was a way to combine Afro-American hip-hop music with local dialects.And the rise of hip-hop groups,dialect creation,and work style was closely related to the humanistic environment of Chengdu.This paper also analyzed the psychological constructive creative art from the writing characteristics of Chengdu rappers and had a deeper understanding of the self-identification of Chengdu hip-hop musicians and their contributions to the inheritance of hip-hop music in Chengdu’s localized dialect.This paper provided some new ideas and frameworks for the research and analyzed of local fusion thinking in hip-hop music and the future development of Chengdu hip-hop music,provided creators with a logic for interpreting how Chengdu hip-hop music used dialect tones in the creation and helped to observe the source of original works of Chengdu localized hip-hop music from a macro perspective.