Structural Counterpoint Of Form And Color In Guo Yuan's "Triple Fold

The research content of this paper is mainly based on Professor Jia Daqun’s "structural counterpoint" theoretical research results,and selects Guo Yuan’s "Three Stacks" as the research object to conduct a more in-depth study of the work "Three Stacks" from a multi-dimensional perspective.At the same time,it further demonstrates the popularity and applicability of the theory of "structural counterpoint" through the practical analysis of the works.This thesis focuses on two analytical perspectives of music works analysis theory:first,the morphological perspective is the structural elements of the surface structure of music,such as pitch,timbre,strength,speed,texture,etc.First of all,how to express the meaning and thought of the work through the interaction of various structural elements;Secondly,in terms of structural logic,how to construct the structural framework of music and organize the overall development of music among the structural elements,so as to explore the structural logic of music and see the essence through the phenomenon.2、 From the perspective of color,first of all,from the perspective of music ontology,as long as there is sound,color will appear.The deployment of various timbres,the setting of sound zones and the change of performance form in music works will bring color changes;Secondly,subjectively,because of the composer’s need for emotional expression in his music works,different musical expressions will be involved,thus producing different emotional colors.Through the careful study of the work "Three Stacks" and the in-depth interpretation of the composer’s creative techniques,this thesis strives to explore the structure of the form and color from the abstract to the concrete transformation of the counterpoint thinking,and tries to restore the way the composer created.