| As a famous Japanese writer of the 20 th century,Kawabata Yasunari had a profound influence in China and had a significant impact on the Chinese literary world.Through relevant materials,it has been found that a "Chuanduan fever" emerged in China in the 1980 s.Kawabata Yasunari’s works were translated,published,and distributed on a large scale,and their works were remade into film and television works.Relevant comments and research also emerged endlessly.In addition,many Chinese writers such as Mo Yan,Yu Hua,Jia Pingwa,and Chi Zijian in the 1980 s began to learn from Chuanduan,but the phenomenon of "Chuanduan fever" gradually cooled down in the later period.Many writers who had previously learned to imitate Chuanduan began to learn from other writers and embarked on a different literary path from Chuanduan.China’s research on Chuanduan focuses more on its essence,literary aesthetics,genre influence and comparison,and parallel research among writers.This article analyzes and summarizes the phenomenon of "Chuanduan fever" from cold to hot,exploring its impact and significance on the Chinese literary world.My article concludes through analysis and induction that many of the writers who studied Kawabata in the1980 s had some degree of similarity with Kawabata Yasunari’s personal and social experiences,which to some extent prompted these writers to learn from Kawabata.In addition,the modernity in Kawabata Yasunari’s works was greatly recognized at that time,and in the context of the new era in China,literature needed to return to aesthetics.The emergence of Kawabata inspired Chinese writers.Research has found that,represented by Mo Yan Yuhua,Chinese writers who studied Chuanduan after 1986 began to shift to studying other writers.One of the reasons for the increasing differences in aesthetics between different ethnic groups in China and Japan is that Kawabata Yasunari’s modernity has certain limitations and is not thorough enough compared to many Western writers.Moreover,with the development of the times,the Chinese writers of the 1980s who had a broad perspective and open thinking had their own new cognitive understanding of literary development,and thus gradually embarked on a different literary path from Kawabata.Through the study and analysis of the phenomenon of Chuanduan literature from hot to cold,it is found that the development of Chinese literature is a gradual path of self-awareness and self deepening.It is a gradual return of literature to Chinese literature itself,based on the process of social attention to the pursuit of authenticity by the public.This provides us with thinking and reference for the development of literature in the new context of China’s characteristic socialist society. |