The Study Of Chinese Contemporary Expressive Landscape Oil Painting Schema

As the main element of painting,schema plays a very important role in the creation,and it has increasingly become a symbol of the artist’s individual style in the context of contemporary art.After the concept of schema was proposed by Immanuel Kant,it was introduced into the field of painting by E.h.Gombrich.Since then,there have been more and more researches on schema.After Chinese oil painting entered the contemporary stage,domestic expressive landscape oil painting was also influenced by both local culture and Western culture.It is not difficult to find that many domestic artists have made efforts for this,and various painting languages have flourished.Nowadays,facing the artistic environment with diversified painting styles,it is necessary for us to explore and study the schema composition of Chinese contemporary expressive landscape oil paintings from a new perspective.This article uses Arnheim’s visual perception theory,visual thinking Based on related theories,it analyzes and summarizes the schemas of Chinese contemporary expressive landscape oil paintings.Based on the principle of visual perception,this paper analyzes the formation process and reasons of schema in painting.Using dynamic principles,balance principles,form principles,etc.to conduct specific analysis and research on the works of contemporary Chinese expressive painters,to find the principles behind the pictures and the rules of schema composition,and finally to verify the implementation process of these principles with their own professional practice.Based on Arnheim’s visual perception theory,this paper analyzes the causes and laws of the current landscape oil painting schema through the study of Chinese contemporary expressive landscape oil painting schema,which is conducive to exploring the creation of contemporary oil painting from a new perspective At the same time,the method is conducive to a clearer understanding of the schema of contemporary painters’ works,and has important guiding significance for future artistic creation and artistic practice.