From Mi Fu To Zhao Mengfu

The theoretical basis of literati painting formed by the theory of "Calligraphic Techniques into Painting".Scholars and painters represented by Su Shi and Mi Fu made a preliminary exploration of the style of "Calligraphic Techniques into Painting".The continuous development of Zhao Mengfu in Yuan Dynasty brought the theory of literati painting into its heyday,"Calligraphic Techniques into Painting" in the theory and skill more mature and specification.Based on the background of Northern Song Dynasty and Yuan Dynasty,this paper analyzes the reasons for the formation of Mi Fu and Zhao Mengfu’s style of "Calligraphic Techniques into Painting",this paper systematically combs the development of the concept of "Calligraphic Techniques into Painting" to the formation of the theory of "Calligraphic Techniques into Painting",studies the practice of "Calligraphic Techniques into Painting" in Mi Fu and Zhao Mengfu,and explores the changes of the style of "Calligraphic Techniques into Painting" in Song and Yuan Dynasties.This paper aims to study the evolution of the concept of "Calligraphic Techniques into Painting" and the preliminary practice of "cloud and mountain of Mi family" and the concept and style of "Calligraphic Techniques into Painting" in the Yuan Dynasty.Mi Fu and Zhao Mengfu as literati painters and calligraphers,in the "calligraphy pen charm","simple and pure","antique and elegant taste","landscape painting pattern" and other aspects,the aesthetic concept of calligraphy,calligraphy creation style and painting creation combined,with Mi Fu and Zhao Mengfu as the research object to find out the concept of "Calligraphic Techniques into Painting" formation process.This article is divided into four chapters.The first chapter studies the concept and practice of "Calligraphic Techniques into Painting",the fashion of the development of painting and calligraphy in the Northern Song Dynasty has an influence on the practice of "Calligraphic Techniques into Painting" in " cloud and mountain of Mi family",according to Mi Fu in the "History of painting",Mi Fu "simple and pure" "antique and elegant taste " aesthetic pursuit and the concept of using pen and ink,it influenced the formation of Mi Fu’s naive and elegant style of "Calligraphic Techniques into Painting".The second chapter analyzes the conditions of Zhao Mengfu’s style of "Calligraphic Techniques into Painting",to further analyze the practice of Zhao Mengfu’s calligraphy writing into painting,to study the continuation and style evolution of Mi Fu’s concept of "Calligraphic Techniques into Painting".The third chapter explores the structure of the style of "Calligraphic Techniques into Painting" through the perspective of personal character,aesthetic tendency and calligraphy style,multi-dimensional analysis of the "style and painting" of Mi Fu and Zhao Mengfu.The fourth chapter summarizes the significance and influence of Mi Fu and Zhao Mengfu’s "Calligraphic Techniques into Painting" concept and practice.This paper explores and analyzes the style of Mi Fu and Zhao Mengfu "Calligraphic Techniques into Painting",and studies the formation and characteristics of Mi Fu and Zhao Mengfu’s "Calligraphic Techniques into Painting" style,also further excavates the embodiment and style evolution of the style of "Calligraphic Techniques into Painting" in different times in Song and Yuan Dynasties.Mi Fu and Zhao Mengfu are the representative literati painters in the Song and Yuan Dynasties,their style of "Calligraphic Techniques into Painting" is not only the embodiment of the main personality characteristics,but also reflect the common characteristics of the practice of "Calligraphic Techniques into Painting" in the Song and Yuan dynasties,showing the law of artistic development.