A Research Of Mo Yu Er Tune In Song Jin Yuan Dynasty

"Catching Fish" is a famous long-tune slow word in the history of Ci.It originated from the Jiaofang song "Catching Fish" in the Tang Dynasty and was changed into a tone by Chao Buzhi in the Northern Song Dynasty.At this time,it was the foundation period of the creation of the tune "Catching Fish",and the number of writers and works was small;It flourished in the Southern Song Dynasty.At that time,the number of writers who participated in the creation increased sharply,and there were many excellent works,which were also created in the Jin and Yuan Dynasties.In the Song,Jin and Yuan Dynasties,the tune of "Mo Yu Er" presented a complete process of reform,initial rise and prosperity,which is the most important stage of the development of the tune of "Mo Yu Er".Therefore,this paper selects233 words from the three generations to interpret and analyze the tune of "Mo Yu Er" from various aspects,such as the origin of the tune,the tone system,the type and style of the tune.This paper is divided into four chapters.The first chapter mainly discusses the origin and synonyms of "Catching Fish".This chapter combs the historical records of "Catching the Fish",and believes that the tone of "Catching the Fish" originated from the Jiaofang music of the Tang Dynasty,and was changed from Chao Buzhi to the tone and filled in the word first in the Northern Song Dynasty.At the same time,it also expounds the eight synonyms of "Mo Yu Er",and analyzes the issues related to the music of "Mo Yu Er" tune,such as the tone,voice and emotion.The second chapter mainly discusses the system of "Mo Yu Er".First of all,it makes a statistical analysis of all the forms of the tune of "Mo Yu Er",corrects the inclusion of the tune of "Mo Yu Er" in various dictionaries,and discusses the positive variation of the tune of "Mo Yu Er".On this basis,the paper analyzes the tonal syntax and the structure of the book.The features of sentence patterns are flexible and changeable.There are three,four,five,six,seven,and cross sentences,and there are special syntax.The layout of the structure is diverse,and it is suitable for expressing a variety of emotional content.The third chapter mainly analyzes the creative theme of "Mo Yu Er".This chapter,based on the actual creation of the tune "Mo Yu Er",divides the subject matter of the lyrics of "Mo Yu Er" into 19 categories,such as chanting words,making friends,chanting words,scenery words,and carefree words.During the Song and Song Dynasties,the subject matter types were the most abundant,including making friends,scenery words,and carefree words.During the Jin and Yuan Dynasties,the proportion of making friends in "Mo Yu Er" significantly increased,accounting for almost half of the creation of the tune "Mo Yu Er" in that period.In addition,the value function of the words "fishing" in the Song,Jin and Yuan Dynasties is mainly lyrical and social,while the entertainment function is relatively rare.The fourth chapter mainly analyzes the artistic characteristics of "Catching the Fish".This chapter starts from the literary attribute,combines the specific works,selects the lyric way,the style characteristic and the rhetoric technique to carry on the elaboration separately.The tune of "Mo Yu Er" has different lyric ways,such as expressing one’s mind directly and seeing one’s mind with twists and turns.Each way can be subdivided into different categories.In terms of style,it involves eight different style features,such as euphemism,bold and unrestrained,depression and elegance.In rhetoric,all kinds of methods are combined,and the form is superb.