On Qian Zhongwen’s View Of National Literature

Qian Zhongwen,as a major figure in Chinese literary theory who has remained active at the forefront of the academy since the 1980s,this thesis will point out Qian Zhongwen’s continued high level of attention to the issue of national literature from his research,and elucidate his main theoretical ideas on national literature,looking for the inner connection between his view of national literature and his literary theory system.The main part of the thesis is divided into four chapters:The first chapter is the theoretical foundation of Qian Zhongwen ’s view of national literature.On the basis of an explanation of the concept of national literature,it clarifies the scope of Qian’s definition of national literature and discusses the foundation for the formation of national literature from the perspective of aesthetic reflection theory,pointing out that the emphasis of aesthetic reflection theory on subject and object gives nationality to the generation of national literature.The second chapter is the specific content of Qian’s view of national literature.Qian’s view of national literature is his literary idea of constructing the relationship between nationality and literature.He discusses the way in which nationality acts on literature from the perspective of emphasizing the aesthetic subject and advocating cultural research,and believes that the national cultural spirits as the deep psychological structure of the creator makes artistic thinking an aesthetic grasp way in nationality.This national cultural spirit is reflected in literature as a literary tradition of creation for life.Qian Zhongwen points out that nationality is a process of nationalization.In the face of cultural globalization and the multicultural blend,and in the face of the impact of powerful cultures,how to develop and build national literature between the contradictions of nationality and internationality has again become a contemporary issue in the development of national literature.This chapter therefore focuses on Qian’s view of national literature from three perspectives: The formation,expression and dialogue relationship between nationality and internationality in national literature.The third chapter is about the direction of development of national literature advocated by Qian Zhongwen.After emphasizing the importance of nationality to literature,Qian proposes a direction for the development of national literature,a literature of the new rational spirit,which is based on the theme of modernity,a new humanism,and a dialogue between national literatures.This is a direction for the development of national literature that seeks a balance between the dialectical contradiction of tradition and modernity,the local and the foreign.A direction for the development of national literature that has a national cultural stance and a global perspective,a modern awareness and a modern spirit,and is viable in the current era.The fourth chapter deals with the theoretical value and practical significance of Qian Zhongwen’s view of national literature.This thesis points out the significance of Qian Zhongwen ’s view of national literature for the cohesion of national consciousness in today’s society and the promotion of the spirit of dialogue in the The process of global multicultural blending,the direction it provides for the development of contemporary literature,and the guidance it provides for the construction of a literary theory with Chinese characteristics,discussing the theoretical value and significance of Qian Zhongwen’s national literature from the core of Qian’s thought.