Seeking True Self In Reality

Based on the creation process of the original drama I,combined with relevant art theories and my own performance experience,this paper systematically discusses the method of character shaping in the drama from three aspects: text combing,plot development and stage presentation.The first chapter analyzes the necessity of understanding the role in the text by combining the initial impression with the meaning content and the theme idea.By clarifying the character characteristics,language habits,status and other information,so as to assist actors to complete the role shaping task.By digging immediately in the second chapter focuses on the plot,characters before the deep connotation of history to grasp the character and explore the protagonist’s character arc,in promoting the plot at the same time,the model role,increase the internal driving force for the actors outlined and way of behavior,language,and with the aid of stage space to complete the second creation of character image,realize the role of emotional communicate effectively,Better highlight the theme of the work;Also,considering the external factors,that is,the interaction between the actor’s "first self" and "second self" is formed at three levels: the role does not leave the actor,the role restricts the actor,and the actor acts on the role.The third chapter further analyzes the existing performance modes,explores new performance methods,and discusses the construction of character images from the surface to the inside,and concludes that the relationship between actors and roles is not only a relationship between playing and being played,but also pursuing a "transcendental" interaction as proposed by Kant.Character creation is the life of an actor,and exploring character creation is a research proposition for an actor to exhaust himself.This article deeply analyzes the symbiotic relationship between actors and characters,emphasizing the importance of "true self" in the role of actors.It is believed that when actors shape their roles,they cannot simply seek a certain performance system,and ignore dialectical thinking.The laws of art are not solidified and immutable.If the performing arts want to develop at present,it is necessary to cooperate with screenwriter creation and directorial thinking,focus on thinking about the essence of drama,verify theory with practice based on the times,and create theory with practice.