Research On Liu Kezhuang’s Qiwen

Liu Kezhuang is the last great master in the literary world of the Southern Song Dynasty.His works are rich and his works are well prepared.Parallel prose occupies an important position in his literary collection,but it is often ignored by the world.Compared with other applied parallel prose,Qiwen is less bound,more suitable for expression and expression,and has the largest number,so it can be regarded as the representative style of Liu Kezhuang’s parallel prose.This paper consists of an introduction and four chaptersThe introduction combs the current situation of the circulation and retention of Liu Kezhuang’s Qiwen versions from the Song Dynasty to the present;This paper analyzes the relevant research results of the academic circles and Liu Kezhuang’s Qiwen,and clarifies the significance of this study.The first chapter of the text mainly introduces the historical background and personal psychological changes of Liu Kezhuang’s Qiwen creation.There are three entry points.The first is the social,political,economic and cultural overview of the late Southern Song Dynasty;The second is the importance of Qiwen in the life of scholars in the Song Dynasty;Thirdly,in combination with Liu Kezhuang’s official career,his essay creation is divided into three stages: the early stage,the middle stage and the late stage.The second chapter classifies the genre and ideological content of Liu Kezhuang’s Qiwen.The genre is divided into four categories,namely,the message of thanks,the message of congratulation,the letter reply and other types of messages.The other types of messages are also divided into four categories: the message of thanks,the message of answers,the message of communication and the message of marriage.The ideological content can be divided into three aspects: one is to care about the suffering of the people’s livelihood and call for the ability to govern the world;The second is to comment on literary creation and academic research and ridicule official customs;Third,to express the sadness of relegation and cherish the feelings of friends.The third chapter analyzes Liu Kezhuang’s artistic achievements.There are five starting points: first,the natural integration of prose expression;The second is the exquisite and appropriate use of allusions,integrating ancient and modern;The third is the natural elegance of antithesis and the variety of sentence patterns;Fourth,the fresh beauty of the decoration;Five are parallel and scattered,and the circulation is free.The fourth chapter focuses on the value of Liu Kezhuang’s Qiwen,with two points of view.The first is to make a comparative analysis with Li and Liu Qiwen of the same era to clarify its breakthrough in the weak style of parallel prose in the late Song Dynasty;The second is to analyze the historical data value of Liu Kezhuang’s Qiwen from the perspectives of supplementing the life of the characters,making up for the gaps in the historical data,and correcting the errors in the historical data.