The Creative Concept Of Song Yuan’s Flower And Bird Paintings Is Practiced In My Creation

In the Song Dynasty,as the peak period of the development of Gongbi flower and bird painting,a large number of excellent painters and Gongbi flower and bird paintings emerged,and the completeness of their techniques and the richness of the subject matter provided reference and reference for the creation of Gongbi flower and bird paintings in later generations.The text takes the creation concept of flower and bird paintings in the Song Dynasty as the research object,starting from the three aspects of theory,grid and god,first of all,the concept of the three is defined,and then the paintings of several representative painters are used as an example to analyze the presentation of the three in different historical periods of the Song Dynasty.Third,combined with his own creative practice,through the five works of "Tan Hua Impression","Rest","Man Tingfang","Everything Red",and "Meet the Blossoms",he elaborated on the specific creative process from the aspects of creation origin,material arrangement,picture composition,color expression,and reference and reference.Finally,according to their own practice,they came up with the creative understanding of "looking back at tradition",whether it is a lyric or a metaphor,flowers and birds also have human character,which is an emotion and a pursuit expressed by the creator based on the picture.Although it is difficult to have the living environment and state of the ancients,but rooted in the Chinese the inner closeness to nature has never changed,so when the author created "Meet the Blossoms",he strived to express the pursuit of people living in the city to Taoyuan.