On The Fusion Of Emotional Artistic Conception And Singing Skills In The Vocal Suite "Winter Journey"

Vocal suite "Winter Journey" is one of the classic works of the famous Austrian composer Franz Schubert.This article makes a historical review of the time environment and social form of this work at that time,deeply analyzes the creative background of the vocal set "Winter Journey",and combines the collected literature and the author’s own practical singing experience.The purpose is to deeply study the emotional mood and singing skills of the first work "Good Night" in the set,and then improve his singing ability and artistic accomplishment.The introduction part makes a brief elaboration from the main research content of this paper,gives a detailed introduction and general overview of the basic background of the creation of the vocal set "Winter Journey",and introduces the works of the vocal set "Winter Journey" and The general idea of the lyrics is briefly described;secondly,the music structure and melody of the first work "Good Night" of the vocal set "Winter Journey" are analyzed,and then the emotional mood analysis and singing skills analysis of the work "Good Night" are expounded.The singing skills are mainly from Four aspects are expounded:the grasp of coherence,the adjustment and control of timbre,the change and contrast of strength,the articulation and articulation of words;finally,starting from the demonstration of the dialectical relationship between the expression of emotional mood and singing skills,it is emphasized that the fusion of the two is the second degree.The highest state of creation.To discuss the work "Good Night" in Schubert’s Vocal Cycle "Winter Journey",not only to innovate theoretically,but also to further experience the creation style and style of the vocal cycle "Winter Journey" in practice combined with his own singing.Singing characteristics,by studying the fusion of emotional mood and singing skills,the highest level of the two has been raised to the fusion of sensibility and rationality,and the advantages and complementary relationships of sensibility and rationality in singing at the subjective and objective levels have been raised.My own understanding of Schubert’s vocal cycle theory has also improved his professional quality and singing ability.