The Aesthetic Study Of Symbolism In Tang Dynasty Dance

Ideographic,meaning expressive.From the initial "clear thinking,taste and image" of people’s inner world,it has developed into the artistic creation of "central heart source" in Chinese dance.Through the dance performance of "meaning" and "image",inner feelings are conveyed and social life is displayed.Ideographic priority runs through the aesthetic appreciation of dance creation in different periods,and it is more prominent in the development course of dance art in Tang Dynasty.The ideography of dance in the Tang Dynasty not only has the aesthetic functions of etiquette,entertainment and appreciation,but also the political ideography of the rule of rites and music is very distinct.At the same time,the ethereal artistic sentiment contains the aesthetic value of poetry.The social life structure of the dance in the Tang Dynasty with beautiful artistic conception and moral education reappears the dissemination status of the aesthetic experience of the mass entertainment,which is the inheritance of the dance language symbols and the interpretation of the realistic plot.It is similar to Goffman’s "dramaturgy",which compares society to a stage and plays out everyday life.With the help of imagery,the dance of Tang Dynasty fully displays the humanistic spirit and artistic aesthetics contained in daily social life.This is also the process of pushing the realm of symbolic interaction to the climax,often making people immersed in the real artistic conception created by the dance works and unable to extricate themselves.Therefore,this paper takes the ideographic aesthetic research of dance in the Tang Dynasty as the object,based on the "dramatization" of Goffman’s social communication theory,combined with the theory of symbolic interaction,ideographic priority and other relevant theories,and departs from the perspective of ideographic dance,integrating the cross-study knowledge of sociology,history,archaeology,literature and so on.By using the methods of literature collection,comparative research,citation,case analysis,etc.,the text of the article is processed and elaborated.The first chapter systematically sorts out the research background and significance,domestic and foreign research status and other factors.Based on the analysis of the current research status,the research direction of this paper focuses on the lack of the ideographic origin of dance and the ideographic aesthetic field of Tang Dynasty dance,which makes the research more targeted and helps to dig the existing research value in this field more deeply and effectively.In the second chapter,the ideographic concept and interdisciplinary theory are combined to analyze the origin of the ideographic dance,so as to make sufficient basic knowledge reserve for the main content of the study.The third chapter explains the significance and importance of Tang Dynasty dance in the history of ancient Chinese dance.This paper expounds the cultural environment of the Tang Dynasty from the political and economic outlook and the ideological and cultural atmosphere,indicating that its magnificent social background provides rich social environment and cultural atmosphere for the dance art of the Tang Dynasty.The fourth chapter from the poetry,porcelain murals,literature and historical materials in-depth analysis,with other art categories horizontal research and deconstruction,appreciate the Tang Dynasty ideographic dance related records;The fifth chapter focuses on the longitudinal theoretical connection and deconstruction from the aspects of action behavior,props,costumes,makeup and so on,and then explores the expressive forms of the ideographic dance of the Tang Dynasty.Chapter six combs the development and evolution of ideographic aesthetics of Tang dance from the characteristics,status and value of ideographic aesthetics of Tang dance respectively.The subject aims at summarizing and summarizing the ideographic dances of the Tang Dynasty on the basis of clear definition of ideographic dances,so as to enrich the aesthetic research content of ideographic dances of the Tang Dynasty and provide theoretical and practical references for the later practitioners of the dance theory of the Tang Dynasty to study the relevant ideographic dances.