| In the past ten years,there have been a large number of works with Chinese traditional culture as the core element in domestic animation films,or the modernization of traditional culture and the interpretation of new perspectives,or the innovative expression and dissemination of new forms of traditional culture.Through the integration of tradition and modernity,nationality and the world,the innovative development of Chinese animation films has been promoted.While reaping a considerable box office,it has also won a good reputation,and the voice of “national rise”is endless.On the basis of combing the development process and creation status of domestic animation films in the past decade,this paper takes the traditional cultural elements contained in the films as the research object,analyzes its innovative expression in three aspects :narrative strategy,ideological culture and audio-visual expression,and discusses and explores its style characteristics.The thesis includes three parts : introduction,main body and conclusion :The introduction part,after defining the research object of this paper,summarizes the development process of domestic animation film,and summarizes the era and policy background of its development in the past ten years.Especially concerned about the great impact of the release of important national policies in 2004 and 2015 on the animation industry.Then it sorts out the academic research on Chinese animation films,and summarizes the categories of case and type research,narrative and aesthetic research,culture and industry research.The first chapter discusses the creation mode of domestic animation films in the past ten years.Chinese traditional myths and legends are the source of inspiration for animation films.Relying on rich cultural resources,Chinese comic filmmakers have made diversified creations in plot construction and characterization.According to the different degrees of adaptation,the domestic animation films in the past decade can be roughly divided into three categories in terms of story presentation : following the original and creating stories that fit the contemporary context,selecting some reasons,supplementing the innovative narratives of previous and future generations,and creating new stories from overhead history.Different adaptation methods also bring different artistic effects to domestic animation films.The second chapter discusses the ideology and culture presented in domestic animation films in the past ten years,and elaborates from three perspectives : the heroism of rebelling,the humanistic concept of paying attention to individuals,and the modern ecological consciousness of harmony between man and nature.It explores the modern expression that originates from traditional culture and is different from traditional culture.The domestic animation film keeps up with the pace of the times.While inheriting the root of the national spirit,it is supplemented by the observation,exploration and transformation of the modern vision,so that it meets the spiritual needs of modern people and is more vibrant and dynamic.The third chapter,starting from the aesthetic expression of audio-visual language of domestic animation films,discusses the diversity and innovative presentation of traditional connotations in films,including the national style elements in modeling,the Oriental temperament in the picture,and the multiple attempts in sound.The domestic animation film combines traditional cultural elements with modern science and technology to create an audio-visual language with a “new national tide” and “new national style” temperament,which greatly enhances its artistic charm and also brings audiences a refreshing viewing experience.In the conclusion part,through the discussion of the gains and losses in the development of domestic animation films in the past ten years,the main reasons for the disputes faced by them are analyzed and some suggestions are given,in order to make the Chinese animation industry move towards a more mature and perfect industrial model in the future,and embark on a benign development path with Chinese characteristics. |