A Study On The People-oriented Nature Of The Gold Medal Works Of Chinese Painting At The National Art Exhibitio

From 1949 to 2019 after the founding of New China,the 13 th National Art Exhibition Chinese painting Gold Prize works were taken as the starting point for exploration and interpretation,and in the various periods under the guidance of the people nature of Marxism literature and art,Combined with the main body,content,image symbols,etc.represented by the 13 th Chinese painting golden prize works,this paper analyzes and expounds the characteristics of different stages of society and times,the aesthetic needs of Chinese painting golden prize works that resonate with the times at the same frequency,and the artistic concepts of the artistic creators.Study the people’s nature of the times expressed by the gold prize works of Chinese painting in different periods of the National Art Exhibition,and systematically analyze and sort out the inheritance and development of people’s nature expression.The first part conducts comparative and theoretical research on the art of the "Seventeen Year National Art Exhibition" after the establishment of the People’s Republic of China.After the founding of New China,the Chinese paintings,as the old traditional paradigm,were transformed to express the people’s character under the guidance of the "two actions" policy proposed by the era.This paper probes into the cultural ecology of traditional Chinese painting after the founding of the People’s Republic of China,and on this basis,probes into the characteristic mode of the national art exhibition applied after the transformation of Chinese painting.Through induction and summary,drawing on many theoretical research methods applicable to visual works of art on plane shelves such as iconology,Semiotics,and stylistics,we can fully tap the "seventeen year" Chinese painting works to face the transformation of artistic expression and express social responsibility,while also in line with Mao Zedong’s literary and artistic view of "Speech",and the people’s ideological principle of "doing two things" in the spirit of "Speech".The second part combs the influence of literary and artistic policies such as Deng Xiaoping’s "Zhu Ci" and "Er Wei" policy,as well as the proposal of "Shuang Bai",on the creation theme of Chinese painting’s gold medal works according to the development of the era after the reform and opening up in the new era.Based on the inheritance and development of the literary and artistic concept of the Speech by Jiang Zemin and Hu Jintao,this paper analyzes that the gold medal and outstanding works of Chinese painting after the reform and opening up reflect the differences in the content and form of artistic themes from the previous period.Through the analysis of many methods and perspectives of the main object and language techniques of the gold medal works of Chinese painting,under the guidance of the "double hundred" policy,the works are constantly innovating,Reflects the ideological and artistic nature of the wave of this era.At the same time,it shows that the creation of Chinese painting gold prize works adheres to the direction of people centered creation.The third part is to sort out the inheritance and innovation of works created during decades of changes.On the basis of expressing the principle of people-oriented,with the development of the times,the main body of the content of the works is still the people,the object is the people,the position is the people,and the purpose is the people.But the ideological,conceptual,and technical aspects of it reflect the pulse of the era.In the face of the question of which is better,Chinese painting techniques freehand brushwork and fine brushwork form of expression,it is proposed that,as the image information society in this era is developed,the innovation of techniques and craft production are also allies rather than enemies in building contemporary Chinese painting.Grasping the image content and subject objects of the gold prize works of Chinese painting in the national art exhibition,the works have always expressed the people’s nature throughout the 70 years of the national art exhibition,in which the "two for" direction and the "double hundred" policy in different times are adhered to,reflecting the renewal of artistic ideas in the development of the times,and expressing the aesthetic needs of people in different times.Artists adhere to creative transformation and innovative development,and adhere to the unity of ideological and artistic qualities.In the principle of people’s nature,which inherits the Marxist literary and artistic view,artistic expression has changed from "service type" to "center type" and from Serve the People to people centered with the development of the times.Adhering to the creative direction of "putting the people at the center",promoting the main theme,spreading positive energy,and promoting the main theme,the creation of various eras highlights the new era and new journey that belongs to the people of that era.Artists bear social responsibility and adhere to the people-centered creative orientation through their learned artistic expression techniques in their creations,shaping the image of the people and the country of that era,singing for that era,and expressing emotions for the people.