Study On Fu Shan’s Acceptance Of Yan Zhenqing’s Regular Script

Fu Shan was a famous thinker,writer and calligrapher in the late Ming and early Qing dynasties,who had a great and far-reaching influence on the book world in the late Ming and Qing Dynasties.This paper focuses on Fu Shan’s regular script to explain its achievements in calligraphy.First of all,the first chapter of this paper analyzes the reasons why Fu Shan learns Yan Zhenqing’s regular script.Throughout Fu Shan’s learning process,the object of his learning is diverse.Why does Fu Shan have the persistence and admiration for Yan Zhenqing’s calligraphy as always? The author concludes that there are two main reasons: first,under the social and political background in the late Ming and early Qing dynasties,Fu Shan greatly appreciated Yan Zhenqing’s loyal and courageous minister image and personality charm;Secondly,the aesthetic concept of Fu Shan in calligraphy is consistent with Yan Zhenqing’s calligraphy style.Based on the above two reasons,combined with historical materials to explore the internal and external driving factors of Fu Shan’s calligraphy.The second chapter firstly summarizes the existing regular script works of Fu Shan.Combined with his regular script works,the regular script of Fu Shan is divided into simple stages: early,middle and late;Secondly,it analyzes Fu Shan’s regular script works in detail,and explores how Fu Shan inherits and innovates when he chooses Yan Zhenqing as the subject of his method,so as to see Fu Shan’s unique aesthetic pursuit and innovative consciousness.The third chapter,on the basis of the first two chapters combined with their own learning experience,explain the practice of Fu Shan regular script and book learning thoughts on my influence.That is,the brushwork is integrated into the Xiaokai script with the brushwork of official script,and the fragmented modeling mode is pursued in the conclusion,so as to express the beauty of the ancient and clumsy calligraphy art.