Research On Wang Jide’s Aesthetic Thought Of Music Performance

Wang Jide,as one of the characters of the late Ming Dynasty’s opera art generation,his aesthetic thought of music performance with Chinese traditional charm is contained in the opera theory work "Qulv".Therefore,this paper will explore Wang Jide’s overall aesthetic thought of music performance,understand the reasons for the formation of Wang Jide’s music performance aesthetics from the perspective of his life background and personal situation,and on this basis,explain and interpret Wang Jide himself and his opera theory work "Qulv" to master Wang Jide’s overall music performance aesthetics.At the same time,the author puts Wang Jide’s music performance aesthetics thought theory into the practice of contemporary music performance and explores its certain practical significance.Through the research,this paper summarizes Wang Jide’s music performance aesthetics thought theory into two aspects.On the one hand,Wang Jide’s aesthetic criteria for music performance."The voice is evocative.How can it be said to be small".First,it explains the shallow characteristics of the music performance object,and then deeply analyzes the aesthetic pursuit of "heartbreaking" in music performance,summarizing the "moving" aesthetic criteria.In addition,based on the connotation of "neutralization" in traditional Chinese music aesthetics,the author clarifies that the form and content of performance involve two characteristics: "both beauty and kindness" and "both elegant and vulgar",and summarizes the aesthetic criterion of "just right" in Wang Jide’s music performance aesthetics.On the other hand,the aesthetic category of Wang Jide’s music performance."Form and Spirit" continues to explain the form and content of the performance,from the aesthetic requirements of "both form and spirit" to the aesthetic pursuit of "shape and spirit shaping"."Emotion and reason" is an inseparable topic of Wang Jide under the trend of "emotion" in the late Ming Dynasty.This paper explores Wang Jide’s "analysis of reason and emotion" from his aesthetic thought of music performance,and then expounds Wang Jide’s feasible thought of "blending reason and emotion".At the end of this paper,the author uses the explored aesthetic thought of Wang Jide’s music performance to analyze the enlightenment to the contemporary music performance practice,and uses the Guzheng concerto "Ru Shi" as a case study to further verify the practical significance of Wang Jide’s aesthetic thought of music performance to the contemporary music performance practice.