Mental Image: A Study On The Construction Of Flow Images From The Chinese And Western Perspectives

Western "deleuze film" and "film phenomenology" scholars put forward a kind of "flow aesthetics" to describe the special film image —— it does not focus on the narrative rational logic,also do not pay attention to the analysis of psychological or linguistic attitude,it focuses on the multi-sensory presence experience,but does not rely on contemporary Hollywood proud of three-dimensional technology or human-computer interaction.Instead,it need to build a new image model,not only blurring the "inside" and "outside" of the screen,but also blurring the "meaning",leaving only perception clear.The audience is encouraged to enter a preset "Image" surrounded,experience the subtle truth and changes,and gradually immerse themselves in the emotional space and space gradually presented through sensory stimulation.This preset has fuzzy meaning by the creator of the viewer perception of "Image",and Chinese traditional aesthetics in the so-called "mind","immediately" "mind" concept,so by focusing on the performance of "image" and generation,and divided into "posture mind","landscape mind" and "atmosphere mind" three aspects,the flow aesthetics in specific flow image construction research.