| In recent years,excellent group portrait documentaries reflecting the survival conditions of different industries,different ages and different classes have emerged one after another,which project the sight to a certain group in the society,and stimulate the public’s thinking about the meaning of human life and care for social reality through the portrayal of typical characters.Group portrait character documentaries are by no means a simple superposition of events,and require a certain narrative strategy to accurately convey the theme of the work to the audience.The structure of this paper is mainly divided into four chapters.The introduction part mainly introduces the research background,research content and research status,expounds the concept of group image,analyzes relevant literature,and finally explains the significance of the research.The first chapter,on the basis of summarizing the previous data,summarizes the typological characteristics of group portrait character documentaries through the analysis of current documentaries.The second chapter discusses the narrative structure of group portrait character documentaries,and demonstrates the important role of narrative structure in documentaries from the aspects of single-line narrative and multi-line narrative.Chapter 3 discusses in detail the narrative perspective of group portrait character documentaries: zero focus,inner focus,and outer focus play different roles in documentaries.Chapter 4 analyzes the aesthetic characteristics of group portrait character documentaries from the perspective of narrative aesthetics.Finally,the narrative strategy of group portrait documentary is summarized,hoping to provide certain reference and reference value for the development of group portrait character documentary. |