A Study On The Narrative Creation Of Interactive Film In The Perspective Of Magic Realism

Nowadays,the film industry is in a stage of rapid development.In this context,the magical realism style films represented by "Birdman" and "Pan’s Labyrinth" are gradually coming into the public’s view,and the creators’ magical and absurd narrative performance and the metaphors behind the stories on the historical and social status quo have made the magical realism style films receive wide attention and discussion.However,due to the complex and diverse characteristics of magical realism itself,not only does the process of creating works often require more time and effort from the creators.The content of the works is esoteric and the audience has difficulties in understanding the films,which to a certain extent restricts the dissemination of the magic realism style films.In order to maintain the sustainable development of magical realism films,it is urgent to find an innovative path suitable for their own development.Interactive film,as a new product born from media fusion,has the interactive characteristics of games and a non-linear narrative structure different from that of traditional films.Unlike the traditional film narrative mode,it can provide a broader and freer creative space for creators,and it also fits with the magic realism style of film in terms of narrative and style expression,and has the possibility of mutual integration.In view of the above,this paper proposes the idea of combining the interactive mode of interactive film with the magic realism style of film creation.Firstly,through the collection and arrangement of domestic and foreign literature and materials,the basic concepts and development history of magic realism style films and interactive films are studied respectively,and the basic characteristics of both are summarized and concluded.Secondly,based on the basic concepts,we select classic film cases and focus on analyzing the narrative characteristics and style performance of magic realism films under the traditional film mode,as well as the realistic problems exposed,and use them to introduce the non-linear interactive narrative creation mode of interactive films.Again,the advantages of combining the two are studied,and corresponding improvement strategies are proposed in accordance with representative cases.Finally,the design strategies studied are applied to the personally created interactive microfilm "Disappear",combining theory and practice to verify the feasibility of combining the two,so that the magic realism style film can rely on a new creation mode for sustainable development.At the same time,the interactive film can also possess a brand new development direction in terms of story topics.