| The Miao people have a long history and culture.Throughout the long history,through their ingenuity,they have created many rich and colorful traditional ethnic cultures,such as Miao embroidery and batik in traditional handicrafts,and Jinji dance,Long Shirt Dragon,Rolling Beads,and Reverse Pai Miao Wood Drum Dance in folk dances.These are all artistic treasures of the Miao people with strong cultural characteristics.The author attempts to conduct a case study of the "Golden Rooster Dance" in the Danzhai area of Guizhou Province.On the basis of field investigation,the original "Jinji Dance" dance movements were classified and summarized systematically,and analyzed level by level from the aspects of movement elements,basic movements,style characteristics,and ideas for movement practice.Finally,the practical results were completed.The full text consists of six parts.Part ONE: Introduction.It focuses on the background of the topic selection,the significance of the topic selection,the development status of "Jinji Dance" at home and abroad,and the methods and significance of studying "Jinji Dance".Part TWO: Chapter one.Overview of "Golden Rooster Dance".It mainly elaborates on historical origins,cultural characteristics,and functions.By analyzing the history of "Jinji Dance",we can accurately grasp the cultural background of "Jinji Dance".Part THREE: Chapter two."Golden Rooster Dance" field survey.Mainly elaborates the real process of field survey interviews.Part ROUR: Chapter three."Golden Rooster Dance" movement analysis.Based on the demonstration of the actions of the inheritor,Li Jinying,observed by the author on site,the basic actions of the "Golden Rooster Dance" are analyzed in detail.This chapter is divided into four sections,mainly describing the basic hand shape and position,basic posture,rhythm,pace,and basic movements of the "Golden Rooster Dance",and analyzing the basic style of the "Golden Rooster Dance".Part FIVE: Chapter four."Jinji Dance" movement practice research.This article mainly analyzes the basic thinking and practical results of the "Golden Rooster Dance" movement practice.Part SIX: Conclusion. |