Research On Tian Han's Drama "drama Poetry

When Tian Han created dramas,he absorbed the creative skills of Chinese poetry,music and opera,and integrated the characters’ inner monologues,poems,traditional opera lyrics and folk lyrics into the drama body through "chanting","chanting" and "singing",forming the unique style of Tian Han’s "drama poetry".The first chapter of the paper mainly analyzes the three types of character language of Tian Han’s "drama poetry",namely,the poetic monologue of the character,the poetry sung by the artist,and the singing lyrics of the characters.The second chapter of the thesis mainly analyzes the characteristics of Tian Han’s "drama poetry",which is the focus of this thesis.Tian Han "drama poetry" is a very comprehensive literary style,and when exploring the creative characteristics of Tian Han’s "drama poetry",it mainly starts from the perspective of the relationship between Tian Han’s "drama poetry" and poetry,and the integration of "drama poetry" and music.In the first section,the poetic characteristics of Tian Han’s "drama poetry" are mainly manifested in three aspects,the first is the creation of lyrical atmosphere,Tian Han sets up a series of natural scenes or social landscapes that can fit with the inner emotions of the characters in the drama by setting up a series of natural scenes or social landscapes in the drama,and then highlighting the spiritual world of the characters through "drama poetry";The second is the prominence of the image of "drama poetry",through which Tian Han sends the author’s many thoughts on society and life;The third is the poetization of the drama language style,Tian Han’s "drama poems" quote or use classical poetry to express the emotional world of characters,the language is enthusiastic and intense,and the rhetoric is rich and beautiful.The second section of Chapter 2 discusses the musical characteristics of Tian Han’s "drama poetry",which is mainly manifested in three aspects: first,the "drama poem" is rich in singing,and Tian Han’s "drama poem" can point the lyrics into the drama work,so that the drama can not only "speak" and "sing",but also "sing when it is insufficient";The second is the inheritance and innovation of classical opera by "drama poetry",drama does not win with strong drama and twists,but with lyrical strong touching,the classical opera lyrics are integrated into modern drama,which plays an important role in highlighting the character of the characters,expressing the hearts of the characters,and promoting the development of the plot of the drama.The third is the reference of "drama poetry" to folk songs,Tian Han actively borrowed the art forms of mountain songs,minor tunes,and labor trumpets,and integrated folk music forms into "drama poetry",on the one hand,through folk songs to show the life scenes of the workers and peasants,on the other hand,to promote the process of drama nationalization.The third chapter mainly analyzes the function of the drama ontology of Tian Han’s "drama poetry" and explores the role of Tian Han’s "drama poetry" in the drama,rhythm and structure construction of drama.The first section analyzes the role of Tian Han’s "drama poetry" in strengthening the internal drama and external drama of drama,and Tian Han’s "drama poetry" enhances the twists and turns of drama,and sometimes plays a role in explaining the background of drama;The second section analyzes the role of Tian Han’s "drama poetry" in regulating the emotional rhythm of drama,the temporal rhythm of drama and the spatial rhythm of drama.The third section analyzes the role played by Tian Han’s "drama poetry" in the regulation of drama structure.