The Study On Wang Jianmin’s Erhu Rhapsody Performance Thinking And Performance Generation

Thinking is the advanced stage of the cognitive process,which is human brain’s exploration and discovery of the essential relationship and internal laws of objective things.When it comes to Erhu performance,it is a physical activity process accompanied by performance technology.More importantly,it is a thinking activity process centered on the player’s brain consciousness activity.What Erhu performance thinking reflects is not only the moment of stage performance,which also covers the preliminary impression when contacting the music,the music experience and memory when practicing performance,the performance process thinking in the actual performance,etc.Due to the fact that different sounds produced by Erhu performance can shape different aesthetic feelings and images,different performance thinking plays different roles in Erhu performance,Erhu players have the necessity to comprehensively consider various performance thinking,and learn to perform and transform what they think in their mind,so that the concrete sound effects and artistic images can be shaped.In this thesis,it will start from the Erhu performance thinking and takes Wang Jianmin’s five Erhu Rhapsody as the starting point,so as to carry out the discussion on the Erhu performance thinking and its cultural connotation.In the first chapter,the creative text of Wang Jianmin’s five Erhu Rhapsody is briefly summarized from the aspects of creative background,cultural background and so on.In the second chapter,the application of the time sequence of Erhu players from contact to the completion of works to various Erhu playing thoughts is summarized and combed.In the third chapter,the performance transformation of performance thinking in Erhu Rhapsody is analyzed from different performance techniques and different performance versions.On the basis of the first three chapters,the role and significance of performance thinking on Jianmin’s Erhu Rhapsody are explored,and Erhu performance thinking’s irreplaceable position and role in Erhu performance and creation are demonstrated.