A Fusion Of Tradition And Innovatio

As an artist in the context of art times in the 20 th century,under the double influence of Chinese traditional concept and western modern art trend,Huang Dufeng not only made great artistic achievements in his creation practice,but also gradually formed his own artistic concept to follow under the interweaving of tradition and innovation.His outstanding achievements in art and his spirit of searching from top to bottom reflect a Chinese artist’s sense of social responsibility and mission under the background of The Times,and provide a case support for the innovation and development of modern Chinese painting art.Huang Dufeng’s artistic path is closely related to his teacher’s experience.He once adopted the brush use and aesthetic concept of Shanghai School,Gao’s heroic painting style and sketching techniques,and the immersion of Zhang Daqian’s traditional art.Meanwhile,the fresh and bright environment of Nanyang also had a certain influence on his painting style.Since settling down in Guangxi,based on the unique "marginal vitality" of the regional environment of Guangxi,Huang Dufeng has gradually awakened his awareness of local creation,and has always practiced his artistic pursuit with high passion and vitality.Huang Dufeng’s artistic concept of "integration of tradition and innovation",on the one hand,explores the wisdom of Chinese traditional dialectic philosophy and aesthetic concept,and inherits the traditional painting ideas of "vivid charm","drawing books into painting" and "spirit encounter trace" through tradition.On the other hand,it is pioneering and forging ahead in the holding of the excellent traditional Chinese culture,constantly pursuing innovation in artistic concepts and thoughts,and forming the theme view that the traditional form is compatible with reality,the color view that the way of harmony is formed by nature,the composition view that pays attention to the sight and perspective,and the practice view that the landscape is organically combined with flowers and birds.The formation of these artistic concepts is not only the retention of traditional artistic ideas,but also full of their own personalized expression.Huang Dufeng’s calligraphy art of "keeping the ancient breaking method" shows the artistic language of personality and maintains the evergreen state of art through continuous exploration and innovation.The way of practice is supported by the traditional ink and the spiritual connotation of the sages.When writing,the expression of the ancient and clumsy taste of the stone is highlighted,and the charm of the ancient and clumsy is vividly expressed.At the same time,by innovating the space order of calligraphy,it forms a curved line axis which is different from the straight line and regularization,highlighting its own emotional expression,so as to show the dual charm of culture and emotion in the text.Huang Dufeng’s "bring forth the old" traditional Chinese painting art,on the one hand,objective understanding and inheritance of traditional Chinese painting art and ideas,deeply grasp and use the essence of traditional painting,absorb the wisdom and nutrition,in all kinds of painting themes,technique expression,freehand spirit has outstanding artistic performance;On the other hand,on the basis of rationality and objectivity,innovative consciousness is formed and new artistic thinking is produced.The innovative expression of the picture is reflected in the layout creation of unrestrained talent,the expression of ink and ink without ink,as well as the reality orientation of flat painting long and other multi-dimensional works construction means.Huang Dufeng’s artistic concept and practice are in the same vein.To study Huang Dufeng’s innovation of traditional Chinese painting,we cannot leave his creative practice and picture expression.The value of Huang Dufeng’s art view is that he points out the methodology of "making a career before making a contract".The second is to emphasize the attention and expression of regional culture;Third,promote the integration of traditional art forms and the spirit of The Times.In addition,by studying Huang Dufeng’s thinking and exploration of art,life and times in his creation practice,it is expected to provide some practical experience for more prosperous art creation in the new era.