The Analysis Of Preface Of Yuefu Poetry By Dynasty Ming

Compared with the study of Yuefu Poems in Han and Tang Dynasties,the academic world pays little attention to Yuefu Poems in Ming Dynasty,let alone the preface and postscript of Yuefu Poems written by the poet of Ming Dynasty.In this paper,through careful analysis,80 preambular and postscripts of Yuefu poems and Yuefu poetry anthologies of Ming Dynasty are collected,to make a special study of them,in order to explore Yuefu concepts and creative skills of the poet of Ming Dynasty,and make a little contribution to the construction of the study of Yuefu.This paper is divided into introduction,text and conclusion.The introduction mainly defines the subject of the research,introduces some relevant research status,and expounds the significance and path of the research.The first chapter mainly sorts out the tradition of the writing of the preface and postscript of Yuefu Poetry and summarizes the literature relics and writing strategies of the preface and postscript of Yuefu Poetry in Ming Dynasty.The preface and postscript of Yuefu poems,rooted in the preface of The Book of Songs,which became mature in the Tang and Song dynasties.To the Ming Dynasty,some Yuefu poems and collections of Yuefu poems were written with preface and postscript,which discussed the origin of Yuefu and introduced the reason and process of its creation and compilation.The second chapter investigates the concept of Yuefu in the preface and postscript of Yuefu poems in Ming Dynasty.The understanding of Yuefu of the people of Ming Dynasty still failed to jump out of the traditional view,with the purpose of "achieving politics",still respecting the ancient theme,and respecting the authentic Yuefu of the Han Dynasty.They also had the desire to collect poems,hoped Yuefu poems into music,and tried to distinguish them from the textual poetry.The third chapter,"the theory of origin and flow",mainly investigates the understanding of the evolution track of Yuefu poetry in the preface and postscript of Yuefu poetry in Ming dynasty.They traced the origin of Yuefu back to the Book of Songs,and believed that Yuefu had been in decline during the Wei and Jin Dynasties.Wang Shizhen saw that Yuefu poetry could not be changed,so she called it "Yuefu-Variable Poetry".Ci,song and Yuefu poetry come from the same vein,and Yuefu poetry originated from it.The fourth chapter,"the Comments of the poets",probes into the preface and postscript of the Yuefu poems of poets from Wei,Jin,Tang and Song Dynasties,Yang Weizhen,Li Dongyang,Hu zuanzong and other poets of Ming Dynasty,which are generally more pertinent and can accurately grasp the characteristics of their styles.The fifth chapter,"the writing skills",mainly explores the revelation of the writing skills of Yuefu in the preface and postscript to Yuefu poetry of Ming Dynasty and the summary of their practical theory,including the aspects of "substitute" and "simulating",simulating form,simulating meaning,subject-related propositions,subject-related meaning and so on.The conclusion summarizes the whole text and explains the imperfections of this study.