| Space Space is an important part of painting composition,,so the change and expansion of space is an important content of exploring the extension of painting composition.The masterpieces 《Luo Shen Fu Tu》— "Painting based Poetry of the Goddess of the Luo" was interpreted by Gu Kaizhi in the Eastern Jin Dynasty from the perspective of an artist to interpret Cao Zhi’s 《 Luo Shen Fu 》 — "Poetry of the Goddess of the Luo" in The China’s Three Kingdoms period as a long scroll,which has the characteristics of a long scroll with multiple scenes.This study starts from the composition form of the multi-scene in《Luo Shen Fu Tu》to explore the significance of its multi-dimensional space.Firstly,it explores the multi-dimensional space source of《Luo Shen Fu Tu》 combined with ancient Chinese painting theory and the western understanding of the composition of painting space.Secondly,according to the composition of 《 Luo Shen Fu Tu 》 itself,deconstruction analysis,composition variation,spatial multi-dimensional interpretation and re-creation.Finally,through a variety of composition evolution methods,the formation of Chinese figure painting multi-dimensional creation space composition principle.《Luo Shen Fu Tu》is a multi-dimensional composition space,in its plane and "Man’s bodies bigger than Mountains" space,it contains the vastness of the image space of Chinese painting and the cosmological view that transcends time and space.The two-dimensional plane is infinite,and the depth of three-dimensional space is reappearance and realism.And our multidimensional dream extension into the unknown.By deconstructing and deducting the composition of 《Luo Shen Fu Tu》,this paper shows the source of space form in painting and explores the formation method of its form and structure. |
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