The Expression And Application Of The Artistic Characteristics Of The Brocade Ash Heap’ In Decorative Arts

The "jingyi pile",also known as "eight broken pictures" and "shikin screen",began in the Yuan Dynasty and flourished in the late Qing Dynasty and early Republican period,mainly refers to the representation of broken ancient book pages,monuments and stones in the form of a combination of brushwork and color or top painting.It has the characteristic of strong three-dimensional visual illusion,showing a different aesthetic sense of fragmentation from traditional Chinese painting,which is subtle and gentle and strives for perfection,and contains a unique aesthetic value.However,with the advancement of globalization and the changing aesthetic needs of modern people,contemporary Chinese traditional art and culture have been incorporated into a multicultural context,which is accompanied by the rapid development of modern material techniques and the collision of Chinese and Western cultural elements,resulting in the public’s attention to the ancient and sedate traditional techniques being gradually replaced by modern art with strong visual effects and novel forms,and thus the art of jingyudui The art of brocade pile is gradually neglected.This,coupled with the complexity,time and effort required to produce traditional jingyidu art,and the high level of skill required of the painter,has led to a growing indifference among the younger generation to study jingyidu painting,and to a more serious situation of its transmission.This inspires us: the relationship between traditional cultural symbols and modern art cannot be solved by a single traditional mode of creation,and the persistent imitation of antiquity will only lead to a narrower audience;traditional cultural symbols should be used rationally to shape a picture context that suits the aesthetic and psychological needs of modern society.This thesis takes the artistic characteristics of "Jin ash pile" painting as the research object,mainly through the methods of literature,image study and practice,and summarizes the evolution of "Jin ash pile" painting images and the three expression forms of topography combination,through Through the summary of the stage sorting,I have come up with the pictorial characteristics of " Jin ash pile" art features,mainly the visual illusion effect,the aesthetic form with the beauty of mutilation and the cultural connotation under the fusion of multiple aesthetics,and made certain complements to the academic theory of "Jin ash pile".In terms of innovative applications,the author refines and analyzes the decorative language such as pattern,texture and color contained in the artistic features of "Jinjidui" based on the perspective of decorativeness,combines the case study of its derivation and reconstruction in multiple art forms,digs deeper into the commonality of the formal language between Jinjidui art and modern decorative art,and proposes that the aesthetic characteristics of Jinjidui The aesthetic value and significance of the art features in decorative art.In terms of innovative practice,the author reinterprets the traditional jingrid pile art,combining it with tie-dye,collage and other modern decorative art creation techniques for conversion and application,conveying emotion with the language of color,expressing space with the language of pattern and showing aesthetics with the language of texture.Through theoretical and practical exploration,this thesis hopes to broaden the development space for the innovative inheritance of the art of " jinghuidui" in the contemporary context and provide new ideas for the organic inheritance of traditional art.