On The Writing Of Interpersonal Relations In Liu Zhenyun’s Novels

Liu Zhenyun’s exploration of human nature and questioning of propositions are often conveyed through contemplation and examination of various "relationships" between people.In this sense,"relationship" is not only the core structural form of Liu Zhenyun’s narrative,but also an important keyword for us to understand his creation.This article attempts to establish a totality in Liu Zhenyun’s ever-changing artistic world from the perspective of the term "relationship".By examining the unique interpersonal writing in Liu Zhenyun’s novels,it reveals the cultural consciousness and subjective thinking behind the writers.In addition to the introduction and conclusion,the main body of the paper consists of five chapters.The first chapter analyzes the power relationship in Liu Zhenyun’s novels.By imagining interpersonal relationships in the dual space-time fields of "reality" and "history",Liu Zhenyun reveals the enduring power relationship between people,as well as the physical and mental compression and human alienation it causes to individuals.This thinking has its advantages and disadvantages,and should be viewed dialectically.The second chapter discusses the human relations in Liu Zhenyun’s novels.In Liu Zhenyun’s works,various types of human relations are treated in an almost extreme deconstruction manner.On this basis,the author rethinks the crisis of human relations society.In the broken human relations,"Grandma" constitutes the bottom line of Liu Zhenyun’s deconstruction,attaching a rare layer of warmth and poetry to the author’s cruel human relations imagination.The third chapter analyzes the accidental relationship in Liu Zhenyun’s novels.This relationship,in Liu Zhenyun’s works,forms a unique narrative in which the bottom meets the top,reflecting the writer’s banter and criticism of the grotesque appearance of modern society and the urban system.Liu Zhenyun’s subjective posture,which is in close contact with the current reality,has also led him to discover a new type of interpersonal relationship model that is fraught with dangers in the "melon eating era".The fourth chapter discusses the unique strategy Liu Zhenyun used in his interpersonal relationship writing: "speaking.".The state of interpersonal relationships in Liu Zhenyun’s works is similar to Sartre’s "others are hell",but compared to Sartre,Liu Zhenyun highlights the ontological position of "speaking" in interpersonal relationships.The narrative he presents,to a certain extent,is like a parable about the "Tower of Babel",metaphor for the vanity of "dialogue" between people.In terms of narrative form,the language style and discourse structure of "entanglement" indicate Liu Zhenyun’s aesthetic efforts to inquire about "relationship".The fifth chapter explores two holistic subjective reflections on Liu Zhenyun’s interpersonal relationship writing.A realistic dimension based on the society era,continuously reflecting on the "egoism" social thinking structure that has increasingly fallen into the "egoism" orientation since the market transformation;The other stands in the metaphysical dimension,extracting and sublimating the question of the relationship between man and himself from the question of the relationship between man and others,thereby answering the question of "how individuals exist."...