| As the second largest type of drama in Zhejiang Province,Wuopera has a history of more than 400 years since the beginning of Gaoqiang,with profound historical deposits.Wuopera is a collection of six tunes,with a wide variety of plays,a large number and rich opera connotation.In recent years,as one of the "golden cards" of Zhejiang culture,Wuju has been spreading more and more widely and exerting more and more influence in the national opera circle.In order to adapt to the changes of The Times and meet the audience’s aesthetic needs of keeping pace with The Times,Wuju retains its traditions and accumulates the experience of modern drama editing in Wuju through transformation and upgrading.Combining the traditional core of Wuopera with modern multiple performance elements,a more comprehensive modern performance mode of Wuopera is formed.This paper takes the new modern drama "Taste of Faith" in Wuopera as the research object,and through the research methods of literature research,field investigation and case analysis,makes a comprehensive analysis of the research object,and puts forward some thoughts for the creation and development of the new modern drama in Wuopera in the future.This article is composed of the introduction,the development history of Wuju’s modern drama,the overview of Wuju’s modern drama "Taste of Faith",the voice analysis of Wuju’s modern drama "Taste of Faith",the stage beauty and performance characteristics of Wuju’s modern drama "Taste of Faith",and the thoughts brought by "Taste of Faith" to Wuju’s modern drama.The introduction is based on the origin and object of the topic,the purpose and significance of the research,the discrimination of concepts,and the research ideas and methods.The text is written in five chapters: The first chapter is the development process of Wuju modern drama,starting from the formation of Wuju and the evolution of Wuju repertory,to sort out the development of Wuju modern drama.The second chapter is an overview of the new modern drama "Taste of Faith" in Wuju,which mainly focuses on the creation background,process and repertoire overview.The third chapter,starting from the music ontology,analyzes the tone of the newly composed modern drama "Taste of Faith" in Wuju,analyzes the use of Xiaohui tone combined with specific musical examples,and analyzes other elements in the repertoire,such as Hui-tune,Xiwu Gaoqiang,Pingju tone,etc.The fourth chapter is about the stage beauty and performance characteristics of the new modern drama "Taste of Faith" in Wuju,combining the analysis of the stage beauty and performance,combined with the characteristics of actors’ performances and performances,to analyze the stage beauty and performance characteristics of the play.The fifth chapter is the thinking brought by "Taste of Faith" to Wuopera’s new modern drama.Through "Taste of Faith",it puts forward thinking on the sustainable development of Wuopera’s new modern drama,and puts forward suggestions and opinions on the creation of Wuopera’s new modern drama,which is conducive to promoting the long-term development of Wuopera’s new modern drama and the sustainable development of Wuopera. |
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