Research On Narrative Ethics Of Domestic Disaster Movise In Recent Years

As a kind of genre films,the creation of disaster films has formed a relatively mature aesthetic paradigm.As a reflection of social life,in recent years,domestic films increasingly take disaster as an important element to participate in the narrative discourse of films,showing the integration of genre elements and mainstream values in aesthetic style,and conveying the ethical tendency of films in the creation of text.Previous studies on disaster films generally focus on narrative strategies,genres and foreign disaster films,and rarely discuss narrative ethics.Based on the development of film ethics,this paper takes this as the background and uses the critical paradigm of film narrative ethics to interpret the ethics of domestic disaster films in recent years,and excavates the ethical forms and value tendencies of films.Using narratology,ethics and other relevant theories and knowledge,four representative works in recent years are selected for specific analysis: The Chinese Captain,Hero of Fire,Emergency Rescue and Peak Explosion,and discussed from three aspects: ethical characters,ethical forms and ethical themes.Firstly,from the perspective of narrative ethical characters,this paper discusses how to shape characters in domestic disaster movies from the perspectives of bioethics,family ethics and social ethics.The first is to create the characters from the perspective of bioethics,such as the rescuers who make altruistic behavior at the time of disaster,the helpers who play a role in promoting the rescue action in the process of rescue and relief,and the victims who are wandering in the dilemma of life and death.The second is to shape the character image from the perspective of family ethics.The character in the family relationship is divided into three types: the father who teaches by words and deeds,the mother who "lacks the subject" and the children who seek recognition,so as to construct a rich and diverse character image from the perspective of family.The third is to create characters from the perspective of social ethics,such as practitioners who make decisions quickly on behalf of the national will in order to save people’s lives and safety,followers who facilitate the implementation of decisions,and restorers who restore people’s normal living conditions and adjust the post-disaster order.Through the analysis of the character images in different ethical perspectives,the author identifies the values contained in the character images and writes the unique ethical expressions in the national context.Secondly,starting from the form of narrative ethics,this paper analyzes how domestic disaster movies use the formal elements of the film to generate certain ethical implications through the interaction of form and content,and narrate the story from three aspects of narrative perspective,narrative structure and audio-visual language to realize its ethical implications.First,through the use of non-focused narrative perspective,At the same time,it shows different characters in the disaster situation and the progress of the disaster situation,shapes the recipient’s ethical feelings,uses the external focusing narrative perspective,clarifies the characters’ ethical positioning in the objective presentation,and guides the audience’s visual identification.Finally,it uses the internal focusing narrative perspective to depict the characters’ ethical dilemma,deepens the audience’s familiarity and understanding of the characters,and thus generates psychological identification.The second is to complete the ethical breakthrough of "hero growth" in the arrangement of causal linear structure,strengthen the ethical identity in the structure of interweaving and comparing organizations,and realize the ethical traction.Finally,in the circular structure,comply with the audience’s ethical expectations,and realize the ethical recovery of sorrow but not hurt.The third is to express the anxiety of survival and eulogize the hero through the use of visual language such as color and lens,and to realize the call for ethics and consciousness through the use of auditory language such as lines and music.By constructing the narrative perspective,narrative structure and audio-visual language of the film,the film carries rich ethical connotation in the application of formal elements to achieve the ethical traction of the audience.Finally,starting from the theme of narrative ethics,this paper analyzes how domestic disaster movies reveal the rich ethical connotation contained in the images through the presentation of rescue themes,domestic themes and ecological themes.First,it explores the behavioral ethical guidance interpreted by the images,and practices the professional ethics of people first,the loyalty of being willing to sacrifice and the Chinese plan of following order in the rescue narrative.The second is to analyze the ideal ethical appeal depicted in the image,fully respect individual home emotion,write the value pursuit in self-cultivation and family,reflect the power of great powers in saving the people,through the dual writing of individual pursuit and collective interests,realize the value isomorphism of the two,and summon the ethical identity of the subject.Finally,it analyzes the ecological ethics reflected in the image,adheres to the ecological care conforming to the law,the equality of living beings and the symbiotic whole and the legitimate transformation of resources,and realizes the positive production ethic.Through the visualized presentation of rescue themes,domestic themes and ecological themes,the film realizes the care of ideal ethical appeals and the effective review and reflection of ecological issues.