Research On Keiji Hoshin's "Pond Pavilion Record

In Zhang Shiying’s poetic language view,the poetic nature of language refers to the unspoken content contained in language,which is the infinite connection of the world,and language has infinite meaning.Language with such poetic characteristics is poetic language.Through the interpretation of poetic language,the concept of poetic language frees language from the fate of mechanization and instrumentalization,endows poetic language with transcendental spirit and aesthetic significance,and places the aesthetic value of language in a prominent position.At the same time,the poetic language view is based on the philosophical theory of the unity of things that transcends the binary opposition between subject and object,and has the characteristics of super binary opposition.This paper mainly consists of four parts.The first is to explore the philosophical basis of Zhang Shiying’s poetic language view.The main ideological sources that have influenced Zhang Shiying’s poetic language view are the Western linguistic turn,Heidegger’s poetic language view,and Taoist language view,among which Heidegger’s poetic language view has the deepest impact on him.The philosophical foundation of his poetic language view is the living structure of "human world" and his theory of "unity of all things".Only by viewing the world with the perspective of unity of all things can he transcend the duality of daily language and become a poetic language that transcends the dichotomy between subject and object.Through the analysis of the source and philosophical foundation of Zhang Shiying’s thought,this paper reveals the external influences and internal motivations that have influenced his theory in the process of its formation.The second chapter is an elaboration of the content of Zhang Shiying’s poetic language view.In the definition of poetic language,language contains things that are not spoken out.Poetic language is a language that is different from conceptual language.Poetic language breaks through the presence and instrumentality and has the characteristic of revealing concealment.Poetic language has aesthetic significance beyond other languages."The language with poetic language characteristics is called Da Yan by Zhang Shiying.Da Yan is a transcendence of Xiao Yan,which can be expressed through things in perception.".Through the exploration of Zhang Shiying’s poetic language view,we can understand the logic and basic definition of his theory,and have a clear understanding of Zhang Shiying’s poetic language view.The third chapter is about the specific application of the poetic language view.The most representative features of poetic language are art and poetry.After clarifying the ideological basis and content of the poetic language view,it focuses on the analysis of the characteristics of art and poetry,while also analyzing some specific examples in artistic poetry,showing the specific manifestations of poetic language in aesthetic practice.In art,although there is no language,art speaks with its speechless words,and in manifestation it speaks hidden.In poetry,the language in poetry has the characteristics of being independent of specific things,metaphorical,and innovative.The fourth chapter is an evaluation of Zhang Shiying’s poetic language view.On the basis of clarifying its theoretical basis,theory itself,and theoretical expression,it explores the theoretical gains and losses and theoretical significance of Zhang Shiying’s poetic language view from four aspects: its theoretical characteristics,theoretical value,limitations,and enlightenment to reality,explores its theoretical innovations,and explores the direction it provides for Chinese aesthetics.