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Keyword ["Madness and vulgarity"]
Result: 181 - 200 | Page: 10 of 10
181. El lugar de la locura La construccion de la nacion desde lo insano en la narrativa peruana
182. Exhuming Caliban: Gothic and Madness in Late Twentieth and Twenty-First - Century Caribbean Literary Fictions
183. Urban/e forms of narrative consciousness: Concentric memory, eccentric madness and the making of the modern novel (Nikolai Gogol, Russia, Machado de Assis, Brazil, Victor Hugo, Marcel Proust, France)
184. Madness, treachery, and naivete: A comparison of 'Othello', 'The Spanish Tragedy' and 'Tis Pity She's a Whore
185. The divine sickness: A study of madness in Greek tragedy
186. Mimesis, madness, and modernity: Robert Musil and the ethics of being without qualities
187. Noetic navigation through madness and mysticism: A qualitative exploration of spiritual crises and inner guidance in the Netherlands
188. Romantic madness: A cultural study, 1780--1850 (John Clare, Mary Wollstonecraft, William Belcher, Urbane Metcalf, John Perceval, James Tilly Matthews)
189. Tennyson's bipolar speakers: From melancholy in 'Mariana' to madness in 'Maud' (Alfred, Lord Tennyson)
190. Bodies of knowledge: Madness and power in Africana women's texts
191. Critical moments: Paul Celan and figurations of madness
192. Best of bedlam: Madness on the English Renaissance stage
193. Women, marriage, and madness in Jean Rhys's 'Wide Sargasso Sea', Virginia Woolf's 'Mrs. Dalloway', and Doris Lessing's 'The Golden Notebook', as seen through Charlotte Gilman Perkin's 'The Yellow Wallpaper' (Dominica, Zimbabwe)
194. The peculiar sanity of war: Representations of madness in World War I literature
195. 'Some precious instance': Ophelia, madness and Renaissance woman
196. Ecstasy and the beyond: The role of madness in Russian Symbolist art and theory
197. A sojourn through madness in 'The Embroidered Shoes' of Can Xue
198. Madness, myth, and misogyny: A study of Shakespeare's 'Hamlet', 'King Lear', and 'Macbeth'
199. Performing madness: The representation of insanity in nineteenth and twentieth century theatre, from Jean-Martin Charcot to Marguerite Duras
200. The discourse of madness as structure and theme in the work of Timothy Findley
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