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Keyword [August Wilson]
Result: 1 - 20 | Page: 1 of 3
1.
"I Want My Ham": Heroes In August Wilson's Plays
2.
From "Who Am I?" To "Who We Are" Pursuit Of African-American Identity In August Wilson's Plays
3.
Trauma, Survival And Redemption
4.
On The Exploration For Self-Identity In August Wilson's Plays
5.
Comparative Study On Racial Otherness In The American Modern Theatre: Blackness In The Emperor Jones And Whiteness In Joe Turner's Come And Gone
6.
The Blues In The Selected Plays Of August Wilson
7.
Constructing African American Cultural Identity: Blues In August Wilson's Joe Turner's Come And Gone, Ma Rainey's Black Bottom And The Piano Lesson
8.
Double Consciousness In August Wilson's The Piano Lesson
9.
The Cultural Construction Of Black Trauma In August Wilson’s Plays
10.
Separation And Reconnection In August Wilson’s Plays
11.
African Americans’ Searching For Self
12.
On The Cultural Identity Of African Americans In Plays By August Wilson
13.
The Representation Of Space For African Americans In August Wilson’s Pittsburgh Cycle
14.
Illusion Or Reality:O’neill’s Iceman Cometh And Wilson’s Two Trains Running In Comparison
15.
A Study Of The Ghosts In The Piano Lesson
16.
Traumatic Reading Of August Wilson’s Plays
17.
Sorrow,Rage And Awakening
18.
August Wilson’s Cultural Nationalism In The Piano Lesson
19.
On The Construction Of Masculinity Of African-American Men In August Wilson’s Plays
20.
The Ritualistic Narration Of August Wilson’s Plays
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