Keyword [Donizetti]
Result: 61 - 80 | Page: 4 of 5 |
| 61. | Reading Donizetti's 'La fille du regiment': Genesis, transformations, and interpretations |
| 62. | EVOLVING CONVENTIONS IN ITALIAN SERIOUS OPERA: SCENE STRUCTURE IN THE WORKS OF ROSSINI, BELLINI, DONIZETTI, AND VERDI, 1810-1850 |
| 63. | A Comparative Study of Nineteenth-Century Works for Clarinet Based on Motives From the Operas of Gaetano Donizetti with an Analysis of Virtuosic Operatic Fantasies From the Operas Anna Bolena, La Favorita, Lucia di Lammermoor, and Lucrezia Borgia |
| 64. | On The Style Characteristics Of Rossini,Bellini And Donizetti’s Art Songs |
| 65. | Singing Analysis Of Aria "Come Paride Vezzoso" |
| 66. | The Image Analysis And Singing Study Of Anna In The Opera Anna Bolena |
| 67. | Study On The Singing Of Light Lyric Tenor Vocal Works |
| 68. | Analysis And Deduction Of Character Anna In Opera Bolena By Donizetti |
| 69. | On The Singing Of The Soprano Aria "The Eye Of A Girl" |
| 70. | Analysis Of The Singing Skills Of The Aria "Song Of Farewell" In Donizetti's Opera "The Girl In The Army" |
| 71. | Donizetti's "Lucia De La Mermore" Heroine Image Modeling And Singing Research |
| 72. | Musical Analysis And Singing Research Of The Aria "How Lovely, How Beautiful" In The Opera "The Sweetness Of Love" |
| 73. | A Musical Analysis And Interpretation Study Of The Aria "How Still All Around" |
| 74. | An Analysis Of The Singing Of The Aria "As Beautiful As An Angel" From The Comic Opera "Don Pasquale |
| 75. | A Study Of Lucia’s Reperto In The Opera "Lucia Of La Mer" |
| 76. | Analysis Of The Portrayal And Singing Of Baritone Roles In Donizetti’s Operas |
| 77. | Study On Musical Characteristics And Singing Version Of Aria "The Girl’s Eye" |
| 78. | A Preliminary Study Of The Use Of Vocal Art Direction In Donizetti’s Opera Arias |
| 79. | A Study On The Singing Of The Duet Tell Me Again That You Love Me In The Opera Don Pasquale |
| 80. | An Analysis Of Singing And Teaching Of Quel Guardo In Don Pasquale |
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