Keyword [Ernest Hemingway]
Result: 81 - 97 | Page: 5 of 5 |
| 81. | Ernest Hemingway: Letters, 1908--1925 |
| 82. | A sea change: The Gulf Stream and the transformation of Ernest Hemingway's style, 1932--1952 |
| 83. | Masks, voices, echoes: Ernest Hemingway constructing the writer/reader relationship |
| 84. | Other minds, other worlds: Pragmatism, hermeneutics, and constructive modernism, 1890--1942 (W. E. B. Du Bois, Stephen Crane, Ernest Hemingway, John Dos Passos, William Faulkner) |
| 85. | The necessary danger: Hemingway and the problem of authorship (Ernest Hemingway) |
| 86. | Imagining science: Narrative, discovery, and 'The Double Helix' (James Watson, Ernest Hemingway) |
| 87. | Ernest Hemingway: Degeneration through violence |
| 88. | Pursuing authentic performance: Animals, actors, and audience in the works of Ernest Hemingway |
| 89. | Modernist composing techniques and the linguistic sign: A study of the early works of Ernest Hemingway (1921-1924) |
| 90. | WOMEN IN ERNEST HEMINGWAY |
| 91. | Three Paths to Religious Integration in Ernest Hemingway's War Fictio |
| 92. | Breaking the Iceberg: Ernest Hemingway, Black Modernism, and the Politics of Narrative Appropriation |
| 93. | Semantic congruence and simile construction in three Ernest Hemingway short stories |
| 94. | The Characterization Of Women As The Other In Ernest Hemingway's Short Stories And Novels |
| 95. | A Study Of Conceptual Metaphor In Hemingway's Short Stories |
| 96. | Post/Impressionistic Characteristics In Hemingway's Fictions |
| 97. | Zero Degree Writing In Ernest Hemingway's A Farewell To Arms |
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