Keyword [Fielding]
Result: 21 - 40 | Page: 2 of 3 |
| 21. | Inheritance And Modification:Joseph Andrews And The Tradition Of Picaresque Novel |
| 22. | Henry Fielding's epistolary voices: Polyphony and the embedded letter in 'Joseph Andrews', 'Tom Jones', and 'Amelia' |
| 23. | Projecting agents: Epistemological critique and the rhetoric of belief in eighteenth-century British projects (Mary Astell, Daniel Defoe, George Berkeley, Henry Fielding) |
| 24. | Willing the word: Issues of epistemology and ontology in the narrative structure of Fielding's 'Tom Jones' |
| 25. | Narrative and nation in Henry Fielding's later writings |
| 26. | The salvation plot: Protestantism and the genesis of the novel (Martin Luther, John Bunyan, Samuel Richardson, Sarah Fielding) |
| 27. | Dialectics of loss: Sentimental irony and the eighteenth-century British novel (Sarah Fielding, Laurence Sterne, Oliver Goldsmith) |
| 28. | The shape of the intellect: Fielding, Austen, Thackeray and the classical English novel (Henry Fielding, Jane Austen, William Makepeace Thackeray) |
| 29. | Entertaining modernity: How four eighteenth-century heroines romanced social change (Madame de La Fayette, Pierre Carlet de Chamblain de Marivaux, France, Henry Fielding, Samuel Richardson) |
| 30. | Fruitful in the land of my affliction: Narratives of captivity and female self-fashioning, 1666--1824 (Mary Rowlandson, Mary Jemison, Margaret Cavendish, Sarah Fielding, Madame de Grafigny, France) |
| 31. | Lennox and Smollett in the literary marketplace: Authorship and readership after Fielding and Richardson |
| 32. | William Hogarth's 'curve of beauty' mirrored in Henry Fielding's 'Tom Jones': An eighteenth century aesthetic equation |
| 33. | The friendly companion: Toward a comic poetics in the nineteenth-century English novel (Henry Fielding, Sir Walter Scott, Scotland, Maria Edgeworth, George Gissing, Thomas Hardy) |
| 34. | Pamela's Richardson and Joseph's Fielding |
| 35. | A reassessment of the early fiction of Henry Fielding |
| 36. | Honest sins: Georgian libertinism and the plays and novels of Henry Fielding |
| 37. | Henry Fielding and the nature of ideal womanhood |
| 38. | Falling off the ladder of degree: Aristocratic authority and the conscientious self in 'Pamela', the 'Pamela' vogue, and the novels of Henry Fielding |
| 39. | Dialectical irony in the plays of Henry Fielding |
| 40. | Henry Fielding's novels and the classical tradition |
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