Keyword [Gogol]
Result: 21 - 36 | Page: 2 of 2 |
| 21. | Metafictional language and parody: Self-reflexivity, self-awareness, and artifice in selected works of Nabokov, Gogol, and Barth |
| 22. | Urban/e forms of narrative consciousness: Concentric memory, eccentric madness and the making of the modern novel (Nikolai Gogol, Russia, Machado de Assis, Brazil, Victor Hugo, Marcel Proust, France) |
| 23. | Deception Narratives and the (Dis)Pleasure of Being Cheated: The Cases of Gogol, Nabokov, Mamet, and Flannery O'Connor |
| 24. | Mythical imagination in historical fiction: Pushkin, Lermontov and Gogol |
| 25. | The grotesque devil: Folklore and literary sources of the demonology in Gogol's 'Evenings on a Farm Near Dikanka' (Russian text, Nikolai Gogol) |
| 26. | Syncretism in Nikolai Gogol's Ukrainian stories |
| 27. | Beyond fidelity: The works of Gogol', Dostoevskii and Chekhov in Soviet and Russian film |
| 28. | Alogism in Russian modernism: An investigation of alogical concepts in the works of Gogol, Bely, Kruchenykh, Malevich, Vaginov and Vvedensky |
| 29. | The stranger in the city: Genre and place in the works of Nikolai Gogol and Liudmila Petrushevskaia |
| 30. | Unrealism: Bureaucratic absurdity in nineteenth-century Russian literature |
| 31. | Gogol and the Russian literary mind: 1890s-1930s |
| 32. | Nikolai Gogol and the medieval Orthodox Slavic world-view (Russia) |
| 33. | Transcendance lost: The desire for an inaccessible noumenon in the short fiction of Gogol and Kafka |
| 34. | Russian romanticism and theologically founded aesthetics: Zhukovskij, Odoevskij, and Gogol and the appropriation of post-Kantian aesthetic principle |
| 35. | In the middle was the word: The writerly gestures of Nikolai Gogol, Franz Kafka, and Bohumil Hrabal |
| 36. | From the Corners of the Russian Novel: Minor Characters in Gogol, Goncharov, Tolstoy, and Dostoevsky |
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