Handmaid's tale - Globe Thesis

Keyword [Handmaid's tale] Result: 21 - 40 \| Page: 2 of 4
21.	Gender View And Ecological Awareness In Margaret Atwood’s The Handmaid’s Tale
22.	Repression And Rebellion-An Interpretation Of The Handmaid’s Tale Through Foucault’s Power Theory
23.	A Contrastive Study Of Professional Subtitling And Fansubbing In Light Of Nord’s Translation Criticism Model
24.	An Analysis Of The Handmaid’s Tale From The Relationship Of Foucault’s Power And Discourse
25.	On The Symbolized Female Body In The Handmaid’s Tale
26.	Satirical Projection Of Challenges Confronted By Contemporary American Women In The Handmaid’s Tale Season One
27.	Behind The Reversed Gaze:On The Female Self-Awareness In The Handmaid’s Tale
28.	Body And Language:écriture Féminine In The TV Drama The Handmaid’s Tale
29.	Reproduction Of Power Relation In Translation Of The Handmaid’s Tale From The Perspective Of Power Theory
30.	Probing Into The Nature Crisis And Gender Crisis:An Ecofeminist Analysis Of The Handmaid’s Tale
31.	Attenuation Of Feminist Consciousness In A Female Translator’s Translation
32.	The Analysis On The Translation And Dissemination Of The Handmaid’s Tale Under The Framework Of The Manipulation Theory
33.	An Analysis Of The Handmaid’s Tale From The Perspective Of Foucault’s Theory Of Power And Discourse
34.	A Study On Feminist Translation Strategies Of The Handmaid’s Tale
35.	The Handmaid’s Tale:The Research On The Adaptation From Novel To TV Series
36.	Body Politics In Margaret Atwood’s The Handmaid’s Tale
37.	Rape in feminist utopian and dystopian fiction: Joanna Russ's 'The Female Man', Margaret Atwood's 'The Handmaid's Tale', and Octavia Butler's 'The Parable of the Sower' and 'The Parable of the Talents'
38.	The Handmaid's Tale and its satirical projection of the 1980s: Surveillance and complicity
39.	'Subversive Feminist Thrusts': Feminist Dystopian Writing and Religious Fundamentalism in Margaret Atwood's 'The Handmaid's Tale', Louise Marley's 'The Terrorists of Irustan', Marge Piercy's 'He, She and It', and Sheri S. Tepper's 'Raising the Stones'
40.	Angels and sisters no more: Power among women in Atwood's 'The Handmaid's Tale', 'Cat's Eye', and 'The Robber Bride' (Margaret Atwood)
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