Haydn - Globe Thesis - Globe Thesis

Keyword [Haydn] Result: 61 - 80 \| Page: 4 of 5
61.	Haydn et l'opera buffa: Analyse dramaturgique et stylistique de 'La fedelta premiata'
62.	The influence of the late eighteenth-century English grand piano on Joseph Haydn's Sonata XVI: Hob. 50 in C Major
63.	The development section in Haydn's late instrumental works
64.	The sonata/fugue in Haydn's sacred choral music
65.	The evolutionary development of compositional technique and style in the piano sonatas of George Walker: A study of the Sonata No. 4 and analytical comparison of the four sonatas, together with three recitals of selected works of F. J. Haydn, L. v. Beetho
66.	A historical study of Joseph Haydn's 'Missa brevis Sancti Joannis de Deo' Hob. XXII:7
67.	The London piano trios of Joseph Haydn: A performer's survey of neglected masterpieces
68.	Theoretical considerations in the transcription for guitar of Haydn's Concerto in C major for cello and orchestra, Hob. VIIb: 1
69.	A study of Johann Michael Haydn's church music and a performing analysis of 'Run, Ye Shepherds to the Light' ('Lauft, ihr Hirten allzugleich') for a recital performance
70.	THE EXPOSITIONS AND DEVELOPMENTS OF THE FIRST MOVEMENTS OF HAYDN'S KEYBOARD SONATAS AND THEIR RELATIONSHIP TO CONTEMPORARY THEORETICAL CONCEPTS
71.	'A WISELY ORDERED 'PHANTASIE'': JOSEPH HAYDN'S CREATIVE PROCESS FROM THE SKETCHES AND DRAFTS FOR INSTRUMENTAL MUSIC
72.	Fugue process and tonal structure in the string quartets of Haydn, Mozart, and Beethoven
73.	THE SIGNIFICANCE OF THE OPENING IN SONATA FORM: AN ANALYTICAL STUDY OF THE FIRST MOVEMENTS FROM THREE STRING QUARTETS BY JOSEPH HAYDN (SCHENKER, AUSTRIA)
74.	HAYDN'S OVERTURES AND THEIR ADAPTATIONS AS CONCERT ORCHESTRAL WORKS (JOSEPH HAYDN, AUSTRIA)
75.	MICHAEL HAYDN'S MASSES AND REQUIEM MASS COMPOSITIONS (MOZART, SALZBURG, AUSTRIA)
76.	AUTHENTICITY PROBLEMS IN FRANZ JOSEPH HAYDN'S EARLY INSTRUMENTAL WORKS: A STYLISTIC INVESTIGATION
77.	HAYDN'S ARIA FORMS: A STUDY OF THE ARIAS IN THE ITALIAN OPERAS WRITTEN AT ESZTERHAZA, 1766-1783. (VOLUMES I AND II)
78.	THE ACCOMPANIED KEYBOARD DIVERTIMENTI OF HAYDN AND HIS VIENNESE CONTEMPORARIES (C. 1750-1780). (VOLUMES I AND II)
79.	THE ORGAN MUSIC OF HAYDN AND MOZART
80.	PART I: 'THE STROKE OF AN OAR,' A TRIPTYCH FOR NARRATOR, SOPRANO, BARITONE, AND CHAMBER ENSEMBLE. PART II: THE PROPORTIONAL AND SPATIAL ANALYSIS OF THE FIRST MOVEMENT SONATA-ALLEGRO FORM OF MOZART, HAYDN, AND BEETHOVEN
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