Keyword [Herman melville's]
Result: 1 - 20 | Page: 1 of 2 |
| 1. | Foregrounding: A Stylistic Study Of Herman Melville's Moby-Dick |
| 2. | Functions Of Point Of View In Herman Melville's Early Stories |
| 3. | Respect For Nature: An Ecocritical Study Of Herman Melville's Moby-Dick |
| 4. | Spatial Concepts In Herman Melville's Typee And Billy Budd |
| 5. | Conflict, Coherence And Completeness In Herman Melville's Battle-Pieces And Aspects Of The War |
| 6. | On Herman Melville's Criticism Of American Racism In His Literary Writing |
| 7. | Searching For Utopia In Herman Melville's Polynesian Trilogy |
| 8. | On The Duality Writing In Herman Melville's Fictional Art |
| 9. | On time and the artist in Herman Melville's 'Pierre' |
| 10. | Herman Melville's work trilogy: Navigating the new economic waters of antebellum America |
| 11. | A critical dictionary of Herman Melville's Polynesian terms |
| 12. | American palimpsests: Trans/national imagination in Herman Melville's poetry |
| 13. | Dark side of the Republic: Blackness, imperial knowledge and the illusion of self-mastery in Herman Melville's America |
| 14. | Herman Melville's use of animals: The chain of natural science, anthropomorphic symbolism, and literary naturalism in 'Moby-Dick' and 'The Encantadas' |
| 15. | The rhetorical strategy of travel narrative in Li Ruzhen's 'Jinghua Yuan' and Herman Melville's 'Mardi' |
| 16. | The slave narrative's use of agape and Herman Melville's 'Billy Budd' |
| 17. | The art of escape: Herman Melville's bachelor machines, 1850--57 |
| 18. | Herman Melville's reading characters: The experiments of Redburn and White-Jacket |
| 19. | A typology of innocence in Herman Melville's 'Pierre; or, The Ambiguities', 'Billy Budd, Sailor', and 'Moby-Dick; or, The Whale' |
| 20. | A content analysis of the difference in critical perception of English and American critics of the ambiguous homoerotic elements in Herman Melville's 'Billy Budd, Sailor (An Inside Narrative)' |
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